reviews by kate wagner of buildings, books, cultural artifacts, and other such things that have already existed for awhile
| Platform |  | Pricing | Freemium | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 26 | Founded | 2 years ago | Last Issue | 9 days ago |
| Active | |||||
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fear of breakdown
from Gustav Doré’s illustrations of Dante’s Inferno
One of the most upsetting realities of everyday life is that we are psychically incapable of comprehending the state of the world we live in. Every day, we — by which I mean all of human...
love's bad infinity
Aubrey Beardsley’s The Wagnerites
It is a bit of a misconception to say that Tristan und Isolde is about love. On its face, it appears to be a love story, but to call it that is kind of like saying a child who takes piano lessons is classi...
whatever it takes
Recently, I finished a series of five essays (many of which began as drafts on this Substack) about the twins Siegmund and Sieglinde from Richard Wagner’s music drama Die Walküre. This body of work, in part owing to my severely diminished h...
my enemy, the leitmotif
This essay was written for wehwalt.net, my website about the Ring cycle, but because I realized I haven’t sent out a newsletter this month, I figured I’d send it out here as well.
There is a considerable debate within Wagner studies not o...
the mirror-self
The Woman in the Moon, from the first British edition of Oscar Wilde’s Salomé, illustrated by Aubrey Beardsley, 1894.
When one is born, one is fundamentally born separate. This is very unfortunate, however it is also, inevitably, a fact of...
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Authors
The writers behind this newsletter.
architecture critic at The Nation and essayist
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