Fredrik on Film
Fredrik GustafssonWritings, long and short, about films, film history, film culture, film critics, and filmmakers.
| Platform |  | Pricing | Only free issues | Publishes | Monthly |
|---|---|---|---|---|---|
| Issues | 50 | Founded | 4 years ago | Last Issue | 8 days ago |
| Active | |||||
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fredrikonfilm.substack.comLatest Issues
Light in cinema
Ever since I saw Beverly Hills Cop 2 (Tony Scott, 1987) as a teenager, light has been one of the most important things for me in film. As I have said many times, that film changed my idea of what film is and can be. My friends were all goin...
Introducing Richard Quine and celebrating It Happened to Jane (1959)
It is difficult to get a grip on Richard Quine. His career is full of failures, dead ends, and disappointments. At the same time, it is full of wonders, of greatness, and of moments when the appropriate comparison is Hitchcock. He made ligh...
Academic publishing
Roy Armes is not someone I hear people refer to, but I recently read his book Patterns of Realism from 1971, about Italian neorealism. It is very good. It has the inevitable flaw of wanting to define neorealism (this film is neorealism but...
Auteuritis
My previous article here, How to claim things with words, was about words. Unclear words, misleading words, meaningless words, irrelevant words, and how we create our past and our context by the words we use to describe it, often in conflic...
How to claim things with words
One of my favourite lines of dialogue is from No Country for Old Men (2007). Carla Jean Moss asks the sheriff, played by Tommy Lee Jones, whether the story he told her before was true. He replies “Well, it's certainly true that it's a story...
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| Subscribers | Engagement | 66 | Monthly Web Visits | ||
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Authors
The writers behind this newsletter.
Writer, critic, scholar, teacher. Film history, ethics, and aesthetics. Chairman of the Swedish Film Critics Association. http://filmkritiker.se
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