
I teach myself (and others!) to write better by looking closely at work I love
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 22 | Founded | 3 years ago | Last Issue | 14 days ago |
| Active | |||||

There are many approaches to describing a person’s physical appearance in fiction, all good and useful. Here are three distinct enough that they form their own micro lessons.
I might have drawn from any decent novel, but I took from my tab...
Prepare for the day you forget how to write, or why you write, by keeping close the works of writers like Elena Ferrante.
Ferrante’s work is full of personal details that you’re sure must be the author’s own (except they’re not). Of unlike...
Every year when the tutors at Oxford are asked for a reading list, I offer a single title, a volume so obscure it’s a wonder the students can even find it. When asked why I list only one book I tell the truth: I’d rather have no reading lis...
When Henry Gaunt’s mother convinced him to enlist, I had to order the audiobook of Alice Winn’s In Memoriam. I didn’t think I could continue the work of reading the paperback, so painful did I find the experience of these school-age boys an...
Our feelings inform how we respond to everything around us. Nowhere is this more obvious than in fiction. Writers are forever revealing human nature through how characters relate to others, as well as the environments in which we place them...
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The writers behind this newsletter.
Novelist writing for adults and young adults, NYT bestseller, Oxford Univ. tutor, posting mostly about the writing I love
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