
Essays on musical psychology, structure and composition.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 22 | Founded | 6 months ago | Last Issue | 2 days ago |
| Active | |||||

So much writing about composition immediately collapses into production autobiography: I opened Ableton, loaded this instrument, used this plugin, processed it through this thing…
These composition essays are concerned with musical behavio...
Everyone recognises a Kusama. Dots, pumpkins, mirrors, bright saturated colour. The recognition is instant, and instantly misleading, because it trains you to look for the wrong thing.
The question most people ask is: what do the dots mean...
Pre-1965 Lennon was a remarkable songwriter: direct, instinctive, emotionally acute, capable of turning jealousy, loneliness and self-doubt into songs of extraordinary force and beauty. By Revolver, he was beginning to ask the songs to do s...
This essay is part of a series. [The Behavioural Grid] lays out the framework beneath everything; [The 16 Archetypes] maps the sixteen positions it's built on; [Sixteen Behavioural Starting Positions] takes them into composition; [The Compo...
A: You said something odd to me last week. You said a piece of music was "trying" to get somewhere.
B: I did say that.
A: But you know it isn't trying anything. It has no wants. It's air pressure. Nothing more.
B: I know that. And I'd sa...
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The writers behind this newsletter.
Notes on the behaviour of music.
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