How Music Thinks
Morgan GrolléEssays on musical psychology, structure and composition.
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 24 | Founded | 6 months ago | Last Issue | 6 days ago |
| Active | |||||
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morgangrolle.substack.comLatest Issues
(composing on the grid pt.vii) Falling Together
The unity of opposites — coincidentia oppositorum — is the idea that apparent opposites are not necessarily isolated from one another. Each is partly defined by its relation to the other, and their tension can produce a larger unity without...
(composing on the grid pt.vi) The Piece Before Its Name
New here? The underlying system — the two axes, the logic of the grid — is laid out in [The Behavioural Grid]; [The 16 Archetypes] maps the sixteen positions created by the intersection of Psychological Posture and Time Behaviour, treating...
(composing on the grid pt.v) What Repetition Remembers
So much writing about composition immediately collapses into production autobiography: I opened Ableton, loaded this instrument, used this plugin, processed it through this thing…
These composition essays are concerned with musical behavio...
Yayoi Kusama and the Art of Obliteration
Everyone recognises a Kusama. Dots, pumpkins, mirrors, bright saturated colour. The recognition is instant, and instantly misleading, because it trains you to look for the wrong thing.
The question most people ask is: what do the dots mean...
What a Song Can Mean
Pre-1965 Lennon was a remarkable songwriter: direct, instinctive, emotionally acute, capable of turning jealousy, loneliness and self-doubt into songs of extraordinary force and beauty. By Revolver, he was beginning to ask the songs to do s...
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Notes on the behaviour of music.
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