Daily Art History
From the Silk Road through Eastern and Western history, this acclaimed author shares a journey of discovery, inviting you to experience the joy, wisdom, and transformative beauty of art.
| Platform |  | Pricing | Freemium | Publishes | Daily |
|---|---|---|---|---|---|
| Issues | 45 | Founded | 5 months ago | Last Issue | 14 days ago |
| Active | |||||
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The Renaissance: A Product of Rivalry, Not Unity
Why "Italy" didn't exist in the age of Raphael—and how a "second-tier" city became the Suzhou of the West.
We often speak of the European Renaissance as having its center in “Italy.” However, in the time of Raphael, the world as we know it...
文藝復興與“義大利”無關？
“意大利”的苏州与拉斐尔
我們常說歐洲文藝復興的中心在義大利，其實在拉斐爾的時代，世界上其實並不存在今天意義上的「義大利」。
素描是拉斐尔轻盈的灵魂
此次纽约大都会艺术博物馆的拉斐尔特展，云集了200余件作品。展览向我们展现的最具价值之处，并非拉斐尔完美的成品——尽管展览亦有涉及——而在于它通过素描与设计稿，带领我们走进了拉斐尔的创作过程。
展览中，既有他少年时代初出茅庐时极为精细、孜孜以求地反复刻画以寻找形象最佳表现瞬间的素描；也有他在成熟的艺术高峰期——如《雅典学院》、《基督显圣》中——表达人类文明传承或见证宗教奇迹的充满感沛之情的素描。
相较于米开朗基罗将人的雄伟予以夸张呈现，拉斐尔则是将其所感知与掌握的复杂人体...
在翡冷翠，找到未来的拉斐尔
我正在纽约大都会博物馆的课程——跟随拉斐尔，从中世纪到文艺复兴的旅程。话说拉斐尔本来在佩鲁贾地方跟着过气大师佩鲁吉诺学画，有样学样，把老师傅当年风靡画坛的那种安静的风格、细腻的风格学到了手。下面的两幅画作，一幅是师父的，一幅是拉斐尔的，你能分辨出来归属吗？但是佩鲁吉诺呢，是出了名的固执，他抱定了几十年前的风格不变，这自然对年轻的徒弟也是一种束缚。
所以当拉斐尔听说当时远近闻名的托斯卡纳的文化首府佛罗伦萨正在发生一件艺术史上的大事件的时候，他便赶去看热闹。
Subscrib...
一幅图像画了整整一千年
我们会看到大量的拜占庭风格，多是这种感觉。不是说他们不能画写实，而是在哲学上他觉得不需要这么画。那么时间久了，过了一千年这种发展之后，他们慢慢所有的写实经验，古希腊、罗马这种极其丰富的积累就忘掉了，不用说一千年，一两代人就忘光了。所以他们后来就一直这么画。
那反推回来呢，由于这个东罗马帝国很稳定，长达一千年，这西罗马帝国的旧地就不断的各种山头大王不断的换，它的文化生态很混乱。那怎么办？它就借鉴东罗马帝国的艺术传统，直接把拜占庭艺术直接全部引入，直到整个欧洲全境。
所以整个...
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最受歡迎的藝術考古著作作者，從絲綢之路敦煌出發，研究足跡遍佈東西方藝術史。以研究、寫作和創作過程分享，帶你生動觀察和體驗藝術帶來的喜悅、啟迪與美。慈悲能承載，智慧能溝通，美能成就⋯⋯
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