
From the Silk Road through Eastern and Western history, this acclaimed author shares a journey of discovery, inviting you to experience the joy, wisdom, and transformative beauty of art.
| Platform | Pricing | Freemium | Publishes | Daily | |
|---|---|---|---|---|---|
| Issues | 43 | Subscribers | Read | dailyarthistory.substack.com |
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此次纽约大都会艺术博物馆的拉斐尔特展,云集了200余件作品。展览向我们展现的最具价值之处,并非拉斐尔完美的成品——尽管展览亦有涉及——而在于它通过素描与设计稿,带领我们走进了拉斐尔的创作过程。
我正在纽约大都会博物馆的课程——跟随拉斐尔,从中世纪到文艺复兴的旅程。话说拉斐尔本来在佩鲁贾地方跟着过气大师佩鲁吉诺学画,有样学样,把老师傅当年风靡画坛的那种安静的风格、细腻的风格学到了手。下面的两幅画作,一幅是师父的,一幅是拉斐尔的,你能分辨出来归属吗?但是佩鲁吉诺呢,是出了名的固执,他抱定了几十年前的风格不变,这自然对年轻的徒弟也是一种束缚。
我们会看到大量的拜占庭风格,多是这种感觉。不是说他们不能画写实,而是在哲学上他觉得不需要这么画。那么时间久了,过了一千年这种发展之后,他们慢慢所有的写实经验,古希腊、罗马这种极其丰富的积累就忘掉了,不用说一千年,一两代人就忘光了。所以他们后来就一直这么画。
这个是大概1513年,拉斐尔的“老朋友”,米开朗基罗,在这个工作室工作的时候,他觉得有点饿,然后他画了一份清单,给他的工作室的这个小弟子。
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最受歡迎的藝術考古著作作者,從絲綢之路敦煌出發,研究足跡遍佈東西方藝術史。以研究、寫作和創作過程分享,帶你生動觀察和體驗藝術帶來的喜悅、啟迪與美。慈悲能承載,智慧能溝通,美能成就⋯⋯
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