Improvisation Technique
David FinkelsteinA practical approach to improvised performance, for actors, dancers, and musicians.
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 52 | Subscribers | Read | improvtechnique.substack.com |
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Latest Issues
Recent posts by this newsletter. Browse the email archive.
WHAT IS CONFIDENCE?
Most improvisors have a sense that “having confidence” is necessary for a scene to go well, and that they can be thrown off by lacking confidence. But what exactly is this confidence? A misunderstanding of the idea of confidence can lead to...
the improv AFTER a great improv
These are notes from an email I sent to an actor after a videotaping session on 3/22/09, in which I address the difficulty of doing an improvisation after one which has gone particularly well:
THE CLOUD OF UNKNOWING
Is it wrong or right to “know” ahead of time what’s coming up in a scene? If you’re supposed to proceed through an improv by feeling and discovering everything about the scene in each moment, is it OK if you have a strong feeling about what...
SURVIVAL INSTINCTS
Good improv technique means acting, insofar as possible, by instinct and intuition, rather than by calculation. Our deepest instincts are our survival instincts. So, if you could imagine that using good improv technique was a matter of surv...
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Authors
The writers behind this newsletter.
Film critic; teacher of improvisation technique for actors, dancers, and musicians; award-winning filmmaker.
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