
A practical approach to improvised performance, for actors, dancers, and musicians.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 61 | Founded | a year ago | Last Issue | 9 days ago |
| Active | |||||

•In the Landscape Form, Being Swamps Doing. When one is out in the woods, looking at the trees, one is engaged primarily by the “realness” of the trees as they simply exist. In the same way, the audience will respond to the realness with wh...
A “possession” improvisation is the name I am giving to a particular variation of my improvisation style which I have been exploring this year. I call this style “possession” because it is somewhat analogous to the kinds of trance states wh...
I have, just now, been filled again with a passion for my project of making films using my “landscape” improv form, the form in which language is used more for the sound, texture, and the feeling state evoked by the voices and words, rather...
“Landscape Improvisations” is the name I give to an ongoing project which I’ve been persuing at least since my 8 hour installation piece The Age of Erosion circa 1995 at the Brooklyn Arts Exchange.
Landscape improvisations are conceived pr...
Generally, my description of the technique for beginning a scene (and, by extension, beginning any section of a scene) is to directly sense the energy and feelings of that first moment in the scene, using your voice, your body, and words. Y...
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The writers behind this newsletter.
Film critic; teacher of improvisation technique for actors, dancers, and musicians; award-winning filmmaker.
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