Improvisation Technique
David FinkelsteinA practical approach to improvised performance, for actors, dancers, and musicians.
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 54 | Subscribers | Read | improvtechnique.substack.com |
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Latest Issues
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A GREAT WARM-UP EXERCISE
This is a great warm-up exercise, which works on many levels at once to prepare an actor for improvisation.
THE PLEASURE PRINCIPLE
When you’re performing a scene from a script, or even just a scene with an outline, a traditional way of structuring your work is to play your character’s motivation. But this won’t work in a completely open improvisation, because you don’t...
WHAT IS CONFIDENCE?
Most improvisors have a sense that “having confidence” is necessary for a scene to go well, and that they can be thrown off by lacking confidence. But what exactly is this confidence? A misunderstanding of the idea of confidence can lead to...
the improv AFTER a great improv
These are notes from an email I sent to an actor after a videotaping session on 3/22/09, in which I address the difficulty of doing an improvisation after one which has gone particularly well:
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Authors
The writers behind this newsletter.
Film critic; teacher of improvisation technique for actors, dancers, and musicians; award-winning filmmaker.
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