Improvisation Technique
David FinkelsteinA practical approach to improvised performance, for actors, dancers, and musicians.
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 46 | Subscribers | Read | improvtechnique.substack.com |
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Latest Issues
Recent posts by this newsletter. Browse the email archive.
OVERACTING
Why do some improv performances seem overwrought to a degree that is fake? When is exaggerated, over-the-top behavior a liberating, thrilling, hysterically funny and enjoyable experience for the audience, and when does it feel, somehow, not...
HOW TO NOT LISTEN
Here is an example of a technique I developed specifically to do the kind of abstract, poetic and nonnarrative improvisation which interests me. I don’t think this technique is particularly useful in comedy or dramatic improvisations. (Of c...
DEEP STRUCTURE/SURFACE DETAIL
In my job playing improvised music for dance classes, I recently ran into a kind of a rut playing for a classical ballet teacher. (I don’t run into these ruts so often playing for Modern Dance classes, because teachers of Modern tend to be ...
CLARIFICATION OF TERMS
A reader of this blog recently called me up to chat, and made me realize that it was time to clarify some of these terms which I bandy about so freely. For example: I’m constantly referring to improvs as being based on a flow of “feelings” ...
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Authors
The writers behind this newsletter.
Film critic; teacher of improvisation technique for actors, dancers, and musicians; award-winning filmmaker.
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