Improvisation Technique
David FinkelsteinA practical approach to improvised performance, for actors, dancers, and musicians.
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 65 | Founded | a year ago | Last Issue | 7 days ago |
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KEY IMAGES
I often say the phrase “the piece I am about to perform already exists in its perfect form” as a part of my preparation before doing an improvisation. Here is one part of the importance of this phrase which I haven’t written about before:...
IMPROV MISCONCEPTION
(Just to add some more context for this article: There was a period where my collaborator Ian W. Hill and I were working on a form of improvisation I named Possession Improv. The idea, more or less, was to aim for an improv in which the act...
FINDING THE SUBJECT MATTER
Hi Julian,
I hope you are enjoying your weekend so far. I had a few further thoughts on the discussion we began to have after rehearsal this week (as we were in the elevator) and so I’m sending you my notes on this:
You described to me th...
February 2009 notes
(these are all things that came up in the last rehearsal.)
- The “center” is in a low place. Generally, the “center” which you dip into to feel the saturation for each phrase is placed low in the body, so there will generally be a feeling...
2010 “landscape form” improv notes
•In the Landscape Form, Being Swamps Doing. When one is out in the woods, looking at the trees, one is engaged primarily by the “realness” of the trees as they simply exist. In the same way, the audience will respond to the realness with wh...
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Authors
The writers behind this newsletter.
Film critic; teacher of improvisation technique for actors, dancers, and musicians; award-winning filmmaker.
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