“Infinity Goes Up on Trial” focuses on ideas central to the depth of Bob Dylan’s music, art, and writing in a broader social, cultural, and political context.
Platform | Substack | Pricing | Only free issues | Publishes | Monthly |
---|---|---|---|---|---|
Issues | 10 | Subscribers | Read | infinitygoesupontrial.substack.com |
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Whether he’s lifting lines from old films for lyrics, crooning “The Night We Called it a Day” over the Nash Edgerton-directed video, or taking us to the Bon Bon club in Shadow Kingdom, Bob Dylan’s interest in and admiration of film noir has...
Since Robert Shelton’s New York Times review of Bob Dylan was published almost exactly 63 years ago, on September 29, 1961, Dylan has been the subject of intense critical focus. Journalists, academics, and fans have created an expansive cat...
From the beginning of his career, critics, scholars, and fans have attempted to define Bob Dylan’s identity. Countless interviews and biographies and even Dylan’s 2004 memoir Chronicles: Volume One include myths, half-truths, and obfuscatio...
Bob Dylan, like the Grateful Dead, has a loyal and dedicated fanbase who follow his tours, exchange bootleg recordings, and analyze his lyrics and music. Called “Bobcats,” “Bobheads,” or “Dylanologists,” these Dylan fans have created a uniq...
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The writers behind this newsletter.
Erin C. Callahan (Ph.D., Drew University) is a professor of English at San Jacinto College. She is co-editing a forthcoming collection on Bob Dylan's setlists and performance.
philosophy professor. forever unstable and fugitive.
I am a Professor of History at Stephen F. Austin State University--and the author of a book on the public memory of Confederate General Nathan Bedford Forrest (out this September with LSU Press).
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