
Essays on art, aesthetics, and the art world.
| Platform | Pricing | Freemium | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 20 | Founded | 6 months ago | Last Issue | 6 days ago |
| Active | |||||

Edward Hopper, Nighthawks, 1942, Art Institute of Chicago
Nighthawks puts you on a street corner past midnight, in a city that has finished with the day. The shops opposite have shut their lights, the upstairs windows are asleep, the pavem...
David Hockney, Portrait of an Artist (Pool with Two Figures), 1972
The painting presents a swimming pool in the south of France, a day so still it seems to hold its breath, green hills folded behind like a promise.
Two figures inhabit th...
Salvo, I giorni della brina, 2010
I have stood in a small Italian town at the blue end of the day and watched the snow blush into a colour that snow, by all rights, should never attempt. It was an hour of no particular ambition, a winter a...
There is a room beneath certain old Tuscan houses that the house itself seems to have forgotten. You go down a few uneven steps, and the air drops a decade, cool and mineral, smelling of stone and vinegar and something patient. I remember v...
What Rothko, Keats, and the Greek "aporia" taught me about staying in the not-knowing.
Most of us set out along the well-trodden boulevards of life, clutching our maps of certainty and scanning the roadside for those reassuring signposts:...
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The writers behind this newsletter.
Essays on art, aesthetics, and the forces shaping the art world.
I look for the thread that connects a living cell, a thinking brain, and a meditative state. It might be the same thread. That's what I'm trying to find out.
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