
One artwork a week, looked at slowly, with a philosopher or a poet for company: Hopper, Miró, Klimt, Schiele. For people who suspect a painting can change how they live.
| Platform | Pricing | Freemium | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 25 | Founded | 8 months ago | Last Issue | 15 days ago |
| Active | |||||

Edvard Munch, The Sun, 1909 to 1916. Oil on canvas, 455 x 780 cm. The Aula, University of Oslo.
It is late afternoon on the Ekeberg hill above Kristiania, the city we now call Oslo. A road runs along the ridge with a wooden fence on the fj...
Egon Schiele, Self-Portrait with Physalis, 1912, Leopold Museum, Vienna
A different essay this week, and a shared one: written with my friend . In truth, it is not an essay at all.
It is a diary Egon Schiele never kept: three entr...
Gustav Klimt, composition draft for Water Serpents I, c. 1904
it’s art is for people who suspect a painting can change how they live.
Every week, one artwork, looked at slowly, with a philosopher or a poet for company: Dante beside Miró,...
Gustav Klimt, Mit gesenktem Blick (With Lowered Gaze), c. 1916
Morning, Vienna, in the last years of the empire. At the end of a garden where the grass grows as it pleases, a low studio hides behind fruit trees, and a heavy man in a long b...
Joan Miró, The Escape Ladder (from the Constellation series), 1940, Museum of Modern Art, New York
Each August, the sky loosens its grip on light, scattering nights with the slow choreography of falling stars. People slip away from the cit...
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The writers behind this newsletter.
Essays on art, aesthetics, and the forces shaping the art world.
Essaystential is a Substack about psychology, philosophy and literature. Trying to unveil the complexities and paradoxes of everyday life.
I look for the thread that connects a living cell, a thinking brain, and a meditative state. It might be the same thread. That's what I'm trying to find out.
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