Jake Dyson
For photographers building commercial careers. Real insights from working sets: creative director relationships, technical breakdowns, production management, portfolio strategy, client systems, and the thinking behind commercial image making. Every Monday
| Platform |  | Pricing | Freemium | Publishes | Twice weekly |
|---|---|---|---|---|---|
| Issues | 36 | Founded | 4 months ago | Last Issue | 7 days ago |
| Active | |||||
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jakedyson1.substack.comLatest Issues
#35 FIELD NOTES: YOU'RE PITCHING THE WRONG PEOPLE
If you want to shoot commercial campaigns, most people will tell you to build your book and start pitching agencies. Cold email art buyers. Get a rep to make introductions.
I didn’t do any of that. And I think it’s the slowest path to the...
#34 FIELD NOTES: WORK-FOR-HIRE VS. LICENSING AGREEMENTS
KNOW WHAT YOU ARE SIGNING
In this issue:
#33 FIELD NOTES: HOW TO FIND YOUR CREATIVE VOICE
Most photographers spend years looking for their voice in other people’s work. Saving references, studying feeds, reverse engineering what makes their favourite photographers special. It’s a natural place to start. But at some point it stop...
#32 FIELD NOTES: HOW I GRADE A COMMERCIAL IMAGE
INSIDE MY PROCESS
What separates a raw file from a finished image is not one big move in post. It’s a series of smaller decisions, stacked in order, each one shaping how the next one lands.
#31 FIELD NOTES: DO YOU NEED A REP?
In this article:
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What a rep actually does and what it costs you
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Why reps don’t sign photographers who need them
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What happened when I tried the rep route
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The direct approach that actually built my career
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How to get i...
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Authors
The writers behind this newsletter.
Top 200 Ad Photographers worldwide, sharing industry insights, breakdowns, workflows & behind the scenes every Monday & Friday
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