Jared Harbour
Reporting from the edge of law, theater, and power. Coverage of Broadway's broken development system, the legal architecture of the entertainment industry, and the economics of who gets to make art.
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 51 | Founded | a year ago | Last Issue | 13 days ago |
| Active | |||||
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jharbour.substack.comLatest Issues
The Residual
Three companies own nearly every commercial theatre on Broadway and not one of them has ever printed what it makes. Well…almost never.
There’s exactly one audited landlord P&L in public. When ATG bought Jujamcyn, British disclosure rules r...
Fuck the Doomsayers
A stranger found me on LinkedIn last week. Genuinely nice guy. He wrote: “Hi Jared! I’ve been reading your articles a lot and I’ve been in conversation with a lot of doomsayers recently about the state of Broadway.”
I told him to fuck the...
Inbreeding Depression
I am writing this from a lake house three hours north of the city, on the first weekend since May that nobody has emailed me a redline.
I came up here to escape all of it, opened the laptop to work on my thesis, and understood about ninety...
The Gift Shop
Sunday evening, on the upper level of the George Washington Bridge, coming home from a weekend in the Catskills , an eighteen-wheeler crossed the line between us and laid a long gray crease down the side of my car. No one was hurt. The driv...
The Oldest Room in Entertainment
The 79th Tony Awards went off the air a little before 11 PM last week, after P!nk opened the night belting over a Megan Thee Stallion verse that the CBS censor was a half-second too slow to bleep, the single most alive the network had felt...
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