Jared Harbour
Reporting from the edge of law, theater, and power. Coverage of Broadway's broken development system, the legal architecture of the entertainment industry, and the economics of who gets to make art.
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 46 | Founded | a year ago | Last Issue | 19 days ago |
| Active | |||||
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jharbour.substack.comLatest Issues
Fake Money
Every spring Broadway mounts one production that never closes, never recasts, and never loses a dollar: the announcement that it has just had the best year of its life. The run is short, a single press release in the last week of May, but t...
Did We Get the Times?
On December 9, 2025, the cast of The Queen of Versailles gathered backstage at the St. James and was handed a memo. The musical had opened just one month earlier with a New York Times Critics Pick from Laura Collins-Hughes. It had already a...
Optimized for Yesterday
About a month ago, BroadwayWorld ran a piece by Rachel Schmaier titled “AI is Already on Broadway — Just Not Where You’re Looking.” Her argument: Broadway’s relationship with artificial intelligence is already deeper than most people realiz...
Undeniable
The Diagnosis
Imagine a playwright. Carmen Burgos. Carmen is the future of the American theater, and she is being suffocated by its past.
She is 35, with two Obie-winning off-Broadway productions and no commercial track record. Her new...
Twenty-Nine Hours
Last New Year’s Eve, I spent $150 on a ticket to a rooftop party in Brooklyn because the internet told me it would change my life. I don’t remember which Instagram post sealed the deal. I remember the skyline in the photo, the way the light...
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| Subscribers | Engagement | 70 | Monthly Web Visits | ||
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