Jared Harbour
Reporting from the edge of law, theater, and power. Coverage of Broadway's broken development system, the legal architecture of the entertainment industry, and the economics of who gets to make art.
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 48 | Founded | a year ago | Last Issue | 11 days ago |
| Active | |||||
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jharbour.substack.comLatest Issues
The Gift Shop
Sunday evening, on the upper level of the George Washington Bridge, coming home from a weekend in the Catskills , an eighteen-wheeler crossed the line between us and laid a long gray crease down the side of my car. No one was hurt. The driv...
The Oldest Room in Entertainment
The 79th Tony Awards went off the air a little before 11 PM last week, after P!nk opened the night belting over a Megan Thee Stallion verse that the CBS censor was a half-second too slow to bleep, the single most alive the network had felt...
Fake Money
Every spring Broadway mounts one production that never closes, never recasts, and never loses a dollar: the announcement that it has just had the best year of its life. The run is short, a single press release in the last week of May, but t...
Did We Get the Times?
On December 9, 2025, the cast of The Queen of Versailles gathered backstage at the St. James and was handed a memo. The musical had opened just one month earlier with a New York Times Critics Pick from Laura Collins-Hughes. It had already a...
Optimized for Yesterday
About a month ago, BroadwayWorld ran a piece by Rachel Schmaier titled “AI is Already on Broadway — Just Not Where You’re Looking.” Her argument: Broadway’s relationship with artificial intelligence is already deeper than most people realiz...
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