Jazz Roots & Branches
Michael StoneMusic, culture, history, politics, climate catastrophe, and other Anthropocene concerns converge
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 66 | Subscribers | Read | stoneforge.substack.com |
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Latest Issues
Recent posts by this newsletter. Browse the email archive.
Throw It Away
In 1960, Detroit-born singer, songwriter, actress, and civil rights activist Abbey Lincoln’s Abbey Is Blue (Riverside) served up her singular interpretation of some mighty enduring songs, among them Duke Ellington’s “Come Sunday,” Oscar Bro...
Dark Was the Night, Cold Was the Ground
#### Title | Artist | Album | Composer | Label
Live at The Lighthouse
In 1949, Howard Rumsey, former bassist with Stan Kenton’s Innovations Orchestra, talked the owner of the Lighthouse bar into featuring jazz at the Hermosa Beach, California venue, southwest of downtown LA. In 1950, Kenton disbanded his ense...
Portraits at the Penthouse
The Penthouse jazz club opened on Pioneer Square in Seattle’s historic district shortly before the start of 1962 Seattle World’s Fair. The club became a key stop for headline jazz artists on the West Coast tour circuit linking Seattle, San ...
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Authors
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Co-editor with Pedro Meira Monteiro: Cangoma Calling: Spirits and Rhythms of Freedom in Brazilian Jongo Slavery Songs (luso-asio-afro-brazilian studies & theory, http://www.laabst.net/laabst3/)
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