
Weekly exhibition reviews by a Gen Z art historian based in Venice & Cologne – slightly unhinged but fully honest.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 167 | Founded | 3 years ago | Last Issue | 36 hours ago |
| Active | |||||

Barbie pink, Fanta orange, and Kool-Aid red popped against the glaring white gallery walls. Urs Fischer assembled chaotic collages of his chosen home LA made up of phone pics, negatives, and sun-bleached blue shifts. There’s faces, palm tre...
Marie Mischkolin’s photorealist portraits are insanely alive. The intensity of expression is astonishing. I swear if it’s cheated and some print she just painted over I’m gonna lose it. Marie’s Nebenschauplatz (2026) is a square-format pain...
Juliana Paek superseded herself with her presentation Homo Bulla Est. Some paintings are mounted on acrylic glass plates held in place by unpolished rocks for the base. The lean canvases get a totemic quality. Climbing the ladder to access...
First thing I saw was an A-frame chalkboard sign. Instead of a Parisian café menu, Henry painted both surfaces: An embraced couple sharing a kiss on one side and an inflated boy in the darkness illuminated by nothing but a shiny window on t...
You can read my impressions from last year’s Hydra trip here.
For some reason I keep forgetting that I’ve seen this year’s Hydra School Projects. Telling for how remarkable I found this edition titled Hyd...
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The writers behind this newsletter.
Gen Z Art historian based in Cologne & Venice reviewing contemporary art shows.
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