
Weekly exhibition reviews by a Gen Z art historian based in Venice & Cologne – slightly unhinged but fully honest.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 164 | Founded | 3 years ago | Last Issue | 37 hours ago |
| Active | |||||

First thing I saw was an A-frame chalkboard sign. Instead of a Parisian café menu, Henry painted both surfaces: An embraced couple sharing a kiss on one side and an inflated boy in the darkness illuminated by nothing but a shiny window on t...
You can read my impressions from last year’s Hydra trip here.
For some reason I keep forgetting that I’ve seen this year’s Hydra School Projects. Telling for how remarkable I found this edition titled Hyd...
For the longest time, I had known Jenny Saville (Gen X, British) for an unapologetic portrayal of the female body that was rough, uneroticized, and vehemently resisted the male gaze.
Her 1992 painting Propped is the first that comes to my...
Imagine there’s a naked, body-painted humanoid freak living in your basement who hasn’t spoken to a human in years. That first confrontation with Yi-Fan’s virtual protagonist was a jump scare, but they grew on me. I ki...
Let’s start with the not-so-good news: With an average commute of 20 minutes per show, Riga Art Week unfortunately had a high Inconvenience to Content ratio. Referring strictly to the exhibitions — I did not reaaaaaally feel the scene (yet)...
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The writers behind this newsletter.
Gen Z Art historian based in Cologne & Venice reviewing contemporary art shows.
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