Weekly exhibition reviews by a Gen Z art historian based in Venice & Cologne – slightly unhinged but fully honest.
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
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The Big Bang, A Crystal & Tom Cruise
At the Braunsfelder group show the eye eyes the eye, Jan Hüskes’s (Millennial, German) large-scale Neighbour 1 & 2 (2026) caught me off guard. It’s like if H.R. Giger (1940-2014, Swiss) went fully abstract. Everything guides the gaze into t...
Manifesta 16 Doesn’t Preach To The Choir
Neither is the Manifesta’s decision to move into the Ruhr area’s left churches some Make Religion Great Again. Nor is it a Johann König type of “this church is architecturally sick so I’m doing exhibitions here” exhibition. This edition’s t...
Michael Armitage's Magical Realism at Palazzo Grassi
There’s barely anything ordinary about Michael Armitage’s paintings. Neither in the motives he chooses to depict, nor in the way he chooses to depict them. There’s something magical, otherworldly in what he paints. It’s like when you’re sle...
Venice. Part 2.
So far, Austria, arguably the flashiest pavilion, has gotten the most attention during a Biennale that invites to look for the subtle. After three unsuccessful tries at seeing it myself, I gave up. I noticed an uptake in concrete poetry. I...
The Whimsy in the Uncanny: Guglielmo Castelli at Sylvia Kouvali
Seeing seven puppets dangling from the ceiling made me think of a peculiar piece of cinema. A film that reflects on notions of identity in relation to responsibility and loyalty through a loose retelling of the Pygmalion myth. What could I...
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Gen Z Art historian based in Cologne & Venice reviewing contemporary art shows.
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