Reletter
Artwork for Ready for Nothing

Ready for Nothing

John Strohm
Hundreds of paid subscribers

A newsletter about whatever John P. Strohm cares to write about, mostly music business, culture, technology, and stories from my career as a musician and music professional

Platform
Substack
PricingFreemiumPublishesTwice weekly
Issues197Founded4 years agoLast Issue4 days ago
Active

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johnpstrohm.substack.com
Artwork for Ready for Nothing

Latest Issues

Chasing the Dream is Privilege

I’ve noticed a trend on social media lately. A creative person breaks the fourth wall to level with the viewer about their mental state, or t

heir deep frustration with creative life and all it requires. Sometimes it’s authentic and moving...

4 days ago
16
3

Abigail Rose on the Mad Records Podcast

I’ve shared that I have one artist client that I manage, Abigail Rose. If you watch/listen to this podcast, you’ll understand why I’m all-in on this artist. I don’t mean to suggest I’m not all in on the artists I work with in other capaciti...

4 days ago
6

The Pope of Five Points

Toni and Patrick

This fall will mark 15 years I’ve lived in Nashville. I’ve lived here longer than anywhere except my hometown. Living here can be frustrating and occasionally infuriating, but I’ve grown to love it. It’s disorienting how q...

10 days ago
27
12

Is This Content? Part 2

Weston Hunter and Abigail Rose high-five after a take of Betty’s in the Band

If you read this Substack regularly, you know that a big part of my mission is to find ways to prioritize and empower creative artists, and to move artists to the...

15 days ago
13
2

My .4 Cents Part 2

After appearing as a guest interview on the My .4 Cents podcast on music marketing, I got another invite to appear as a guest host. Matt Bacon and Ryan Schutte wanted to get my take on artist development and (gulp) AI legislation.

The dev...

17 days ago
9
2

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  • John Strohm

    Blake Babies/Lemonheads, music and media lawyer, former President of Rounder Records, indie musician based in Nashville.

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