
I write the Blake’s 7 Production Diaries and contribute to Doctor Who Magazine - not as a career, just as someone who knows far too much about old telly. I’ll be sharing off-cuts and rare photos for those of you who care about such things.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
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Although the TV Movie was a US backed co-production, with a significantly larger budget than the original BBC series, it was still working within the constraints of a television budget. The production team aimed high visually, combining pra...
An early concept for the reimagined Daleks. AI image based on concept artwork.
The original plan was for the series to be a complete reset in terms of continuity while still retaining the most recognisable elements – including the Daleks....
To explore the creation of the Morlox, I spoke with visual effects assistant Paul Mann, who worked on various Doctor Who serials, including Timelash, during his time in the BBC Visual Effects Department.
Paul never planned on a career in v...
Timelash is one of Doctor Who’s most unpopular stories, often lurking near the bottom of fan polls. I’ve always loved it - partly because of its more outrageous elements, including Paul Darrow’s astonishing performance as Tekker, but that’s...
Following my recent posts on The Space Pirates, here’s a special extra treat: a reconstructed version of Episode One!
Using AI alongside the surviving audio and images, I’ve created a cut-down version that preserves all the key story beats...
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The writers behind this newsletter.
Deep dives into the VFX of Doctor Who on a story-by-story basis. Expect rare photos and detailed reconstructions of lost or incomplete material. I’m also the author of the Blake’s 7 Production Diaries and a regular contributor to DWM.
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