Reletter
Artwork for Range and Basin

An exploration of spirit and sound by writer, podcaster, and musician Jason P. Woodbury.

Platform
Substack
PricingOnly free issuesPublishesTwice weekly
Issues136Founded4 years agoLast Issue7 days ago
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Artwork for Range and Basin

Latest Issues

“Prince Made the Best Tom Petty Song”

This week on Aquarium Drunkard Transmissions, another talk that spun out of our Big Ears hang out earlier this year: a conversation with a journeyman musician Fred Thomas.

Even if you don’t know Thomas’ name, you’ve heard him: In the ‘90s,...

7 days ago
3
2

So Many Tears I Was Searching

Good morning dear friends. For this week’s post, I’m sharing an updated and revised piece about the spiritual songs of George Harrison from last November. I hope you enjoy and, more importantly, find some peace in it.

So Many Tears I Wa...

10 days ago
7
3

Music as a Lens Into the Past (and Present)

Since 1999, Atlanta label has created lavish boxsets, books, and collections of gospel, folk, blues, field recordings, and other sounds sourced from deep global archives.

Led by April and Lance Ledbetter, the label has been responsible f...

14 days ago
9
1

She's Got Herself a Universe

Madonna photographed by David LaChapelle for Rolling Stone (1998)

I’ve been tinkering with this essay for months, trying to get it “just right.” But this morning I woke to news that electronic composer and producer William Orbit had died...

19 days ago
18
8

If You Can Hear Your Neighbor Singing, You're Not Singing Loud Enough

Describing the sound of Sacred Harp singing can be difficult. Arcane, otherworldly, and overwhelming, it’s a unique a cappella form of shape note Christian hymn singing that was born in England in the 18th century, but took root in the Amer...

21 days ago
5
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Authors

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  • Jason P. Woodbury

    Musician, writer, podcaster. My new LP Jason P. Woodbury & The Night Bird Singing Quartet is out now.

  • Dust-to-Digital

    Presenter and curator of music and sound cultures.

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    Esoterika | “Mitch is solid gold"—David Lynch

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