
Reflections on art, film, politics, and everything in between, with an eye for things that help humans fall back in love with life in an age of political catastrophe. Posts and opinions are my own and do not reflect my institution.
| Platform | Pricing | Freemium | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 110 | Founded | 2 years ago | Last Issue | 8 days ago |
| Active | |||||

I’ve been in a bit of a rut when it comes to contemporary art appreciation— or art appreciation, generally. I’m awed by friends who have “made it” in this sphere, but find myself deeply unimpressed by the institution overall. Often I can th...
Hello from a summer full of hustle, somehow despite a continued sprained ankle! Why is it that even in the early throws of summer, when I had barely begun to recover from the semester, that the alarm bells already start ringing: it will be...
Resuming regular posts next week! Until next time!
xo-J
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I've recently been reflecting on the obsessing overlap between speculative and documentary genres. There are so many films these days that, even if not explicitly in the sci-fi or nonfiction camp, share many of the same themes and tropes. A...
In the 1991 film Mississippi Masala by Mira Nair (aka Zohran’s mom), an Indian family is forced to flee Uganda, where an ethnonationalist uprising has pronounced the country “fully African”— by which they mean, ethnically Ugandan, by which...
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The writers behind this newsletter.
Socialist, Antifascist, Artist, Film Professor. Author-illustrator of Soviet Daughter (Microcosm, 2017) and author of Antifascism and the Avant-Garde: Radical Documentary of the 1960s (UC Press, 2025)
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