
Once a month, art columnist Julia Morton takes you behind the scenes to see the art and meet the artists, gallerists, collectors, and critics shaping the computational movement. Learn how tech tools expand their creativity and yours.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
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| Issues | 29 | Founded | 2 years ago | Last Issue | 9 days ago |
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Blago.Art is the pen name of a research artist with an IT background who believes that AI has its own inner world shaped by our aesthetic codes.
“Art created in collaboration with AI is not just a work — it is a manife...
Design and Image by Bhaviya made using the Paper to Pixel Method
Think like a human. According to art and design educator John Cash, that’s the best way to maintain authorship over the creative output visual technology is now capable of pr...
a still from Field Notes, an AI film by Arielko
Recently, I discovered an AI film called Field Notes by Arielko. What caught my eye was the artist’s sincere attempt to have a sentient-to-sentient conversation with an AI assistant. It didn’...
Visitors at the Run the Code, The Blanton Museum of Art
If you’re lucky enough to be in Austin, Texas, now through August 2, 2026, The Blanton Museum of Art is hosting Run the Code: Data Driven Art.
In my opinion, this exhibit stands out...
Quiet Multiplicity, 2025, unique drawing by Eko 33
“I’m not interested in using technology to make things easier or faster; Instead, I embrace technology to stretch and redefine what art can be.” – Eko 33
The art professionals I cover u...
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The writers behind this newsletter.
A former fashion designer, I began covering art in 1999. Credits include New York Press, artnet.com, and Art Papers. From 2018 to 20, I ran the Generative Art Project gallery in Austin.
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