Justin Mott
Photojournalist & commercial photographer based in Vietnam. Frequent contributor to The New York Times. Writing about photography, ethics, and creative discipline.
| Platform |  | Pricing | Freemium | Publishes | Twice weekly |
|---|---|---|---|---|---|
| Issues | 28 | Founded | 5 months ago | Last Issue | 19 days ago |
| Active | |||||
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justinmott1.substack.comLatest Issues
Why Most Photographers Are Undercharging and Giving Away Too Much
One of the biggest reasons photographers struggle financially is not because they are bad photographers. It is because they only charge for the day they hold the camera while the client continues benefiting from the images for months or som...
Why Most Photographers Struggle to Sell Prints (And What Actually Works)
This is something I’ve been tinkering with for years, and it’s easily one of the most common questions I get. I’ve talked about it before on YouTube, and every time I revisit it, my answer changes a bit based on what’s actually working for...
Before You Book That Photography Workshop
Photography workshops are everywhere right now. It feels like every YouTuber has one, and as commercial work slows down for a lot of photographers, more and more people are turning to workshops as another way to generate income. That shift...
The Problem Isn’t Staging. It’s Lying.
This is a topic that matters, and it should matter to you too. Before I go any further, I want to be clear about something. I don’t enjoy calling photographers out by name because the immediate reaction is almost always the same. People ass...
The Assignment Didn’t Go as Planned
At the end of last year I was commissioned by Smithsonian Magazine to photograph a story in Cambodia that ran in early April. On paper it was a great assignment, and Smithsonian always is. Strong stories, solid budgets, and access to fascin...
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| Subscribers | Engagement | 82 | Monthly Web Visits | ||
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Authors
The writers behind this newsletter.
I’m Justin Mott, an editorial and commercial photographer based in Vietnam with nearly 20 years of experience and 100+ assignments for The New York Times, sharing personal projects, practical insight, and the stories behind my images.
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