kaosgermen
José Sarmiento Hinojosa| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 9 | Founded | 2 years ago | Last Issue | 4 months ago |
| Active | |||||
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kaosgermen.substack.comLatest Issues
Aesthetics of a Personal Landscape: Fat Chance by Stephen Broomer
I would like to discuss the aesthetics present in Stephen Broomer’s appropriation films, but particularly those in his latest film to date, Fat Chance (2020).
Broomer’s aesthetic recalls a pictorial effort at synthesis similar to the effor...
Chaos/Germ Archiving Course 2 - Registration
The course will be given in the first week of December, upon agreement with the participants of best time schedule + day of the week. (eng - spa)
kaosgermen is a reader-supported publication. To receive new posts and support my work, cons...
Repost: The Matroyshka Doll of Laughter and Uncertainty: Cristi Puiu’s Sieranevada (2016)
In his previous, massively underrated and virtually unseen film Trois exercices d’interprétation (Three Exercises of Interpretation, 2013), Cristi Puiu had already started experimenting with different Rohmerian passages: vague conversations...
Repost: AESTHETICS OF A PERSONAL LANDSCAPE: FAT CHANCE BY STEPHEN BROOMER
I – Aesthetics of a personal landscape
I would like to make a case for the aesthetics present in Stephen Broomer’s appropriation films, but particularly in his latest film to date, Fat Chance (2020). One might be inclined to appreciate thi...
Curating: THE GENESIS OF THE END - Four experiences of the pictorial in the moving image
Tadeusz Kantor (1915-1990)
Peinture
signed ‘Kantor’ (lower right); signed, dated and inscribed ‘”PEINTURE” T.KANTOR IV 1958 CRACOVIE’ (on the reverse)
oil, enamel and lacquer on canvas
39 ¼ x 47 ¼ in. (99.7 x 120.1 cm.)
Pai...
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