
(A)musings on film, art, culture, current affairs and storytelling
| Platform | Pricing | Freemium | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 215 | Founded | 4 years ago | Last Issue | 5 days ago |
| Active | |||||

Forgive my absence of some ten days and failure to share my carefully considered thoughts about Spielberg’s DISCLOSURE DAY, seen on Saturday morning, which I’ve no doubt you have been eagerly anticipating. I was all set to commit a whole ho...
Having been born to British parents and spent my youth in-part in the UK, in-part in the US, and in-part smack bang in the middle in Bermuda, I am what very annoying people (myself included…) might describe as “transatlantic”. I possess man...
Madonna is back! 🕺🏽
Perhaps the most confusing thing about Confessions II, the 14 minute (10 minutes + 4 minutes of credits, to be accurate…) music video released as an amuse bouche to the bona fide banquet that is Madonna’s highly antic...
Netflix
Ladies - grab the nearest brick, baseball bat, cricket bat, pool cue, plank o’ wood, spanner, wrench, BAFTA, Oscar, Tony, Grammy, Employee of the Week Award, hammer, tome, concrete block, frozen cut o’ meat (as per one of my favour...
Ambassadors Theatre
For the vast majority of my life, the first week of June has been dedicated to birthday celebrations: in the last millennium it was principally occupied by my mother’s big day (ending with her death from ovarian cancer...
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The writers behind this newsletter.
Reviews and cultural commentary holding filmmakers and artists to a standard they so very rarely meet. Kate Wilson is a writer, producer, lawyer, consultant and all-round underachiever. Please read Prospects: www.prospects-novel.com
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