
(A)musings on film, art, culture, current affairs and storytelling
| Platform | Pricing | Freemium | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 230 | Founded | 4 years ago | Last Issue | 8 days ago |
| Active | |||||

On the long flight from London to Los Angeles and after the regrettable false start of an egregiously self-aggrandising and nigh-unwatchable new film (…it was Alice Winocour’s fashion-centric COUTURE, a film which is some considerable and r...
This weekend the chattering cinema classes will no doubt be focused on who dug it and who did not, DIGGER-wise. For my part, I was lucky enough to see the film last week, but for two entirely rational reasons I have opted to say precisely n...
No, this is not a post about my Raya profile and entirely unenthusiastic efforts to re-enter the dating pool (even if I did kick off said efforts by accidentally charging the first year’s membership of the celeb-endorsed app to my ex-husban...
I don’t know what was in the air when PK, an Indian street artist of the “untouchable” Harijan class, met Lotta, a rather gorgeous traveller of Swedish nobility, in a Delhi market in 1976-ish, spent a few idyllic days in tourist-shrine-visi...
It was a difficult and long-avoided day when, much like the Owens sisters in Suzanne Bier’s ridunculous PRACTICAL MAGIC 2, I was obliged to explain to my two gorgeous daughters why our joyful, loving, oestrogen-driven home is entirely absen...
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The writers behind this newsletter.
Reviews and cultural commentary holding filmmakers and artists to a standard they so very rarely meet. Kate Wilson is a writer, producer, lawyer, consultant and all-round underachiever. Please read Prospects: www.prospects-novel.com
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