
(A)musings on film, art, culture, current affairs and storytelling
| Platform | Pricing | Freemium | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 219 | Founded | 4 years ago | Last Issue | 15 days ago |
| Active | |||||

In addition to the football and the United States’ 250th birthday celebrations (which were something of a deeply satisfying damp squib, were they not?), it was impossible to move last weekend without being confronted by the video of two roo...
Put the manly, muscular, macho brains of David Mamet, Patrick Marber and Rupert Goold together in a post-#MeToo world and what do you get? Answer: GLENGARRY GLEN ROSS with no script changes whatsoever, but with a cast of women. Ffs.
Mamet’...
The word is invitation, ffs.
The word is invitation, ffs. Invite is a verb. Invitation is a noun. And so, preceded by the definite article, the title of this film should be THE INVITATION. Yes, using invite as a noun may well be acceptable...
Before I get into Daniel Roher’s TUNER and the first performance I’ve personally seen from Dustin Hoffman since Noah Baumbach’s THE MEYEROWITZ STORIES in 2017, if you are to exclude MEGALOPOLIS (which I highly recommend… by which I mean I h...
Forgive my absence of some ten days and failure to share my carefully considered thoughts about Spielberg’s DISCLOSURE DAY, seen on Saturday morning, which I’ve no doubt you have been eagerly anticipating.
Forgive my absence of some ten da...
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The writers behind this newsletter.
Reviews and cultural commentary holding filmmakers and artists to a standard they so very rarely meet. Kate Wilson is a writer, producer, lawyer, consultant and all-round underachiever. Please read Prospects: www.prospects-novel.com
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