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| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 9 | Founded | a year ago | Last Issue | 7 days ago |
| Active | |||||

I have a recurring relationship with Søren Kierkegaard. When I was twenty, stumbling around in the world of pop philosophy led me to phrases like “the dizziness of freedom” and the “leap of faith”. These images — coined by the Danish ph...
Nostos: The Return (1989) is a difficult film to describe. Franco Piavoli’s first fictional feature is nominally an adaptation of Homer’s Odyssey. Like the epic poem, it is inextricably tied to its mode of delivery and much is lost describi...
Disclaimer: Credit where it’s due. An inspiration for some reflections stem from a piece by my friend, Goh Cheng Hao, on the film The 4 PLY Clandestine System and the ethics of documentary-making. There may be similar concepts tackled in bo...
With a title that deliberately belies its depth, Kleber Mendonça Filho’s The Secret Agent couldn’t have been a better film to open my SGIFF with. The Cannes’ Best Director winner certainly earns its name — with clever and concise use of cam...
In Park Chan-Wook’s No Other Choice, faces and close-ups feature prominently, with minor tics and shaky teary eyes conveying stratums of contradictions. Nothing less should be expected from the legendary Korean filmmaker, but while the film...
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The writers behind this newsletter.
film, literature, ramblings. not quite reviews not quite academic all me
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