world enough and time
John Osburnreviews of parts of wholes, two things at once, lists of things, and my own past reviews
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 25 | Founded | 3 years ago | Last Issue | a month ago |
| Active | |||||
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The Pain and the Paradox
It’s International Jazz Day, on the occasion of which I reprise my review of Gato Barbieri in New York on September 16, 2015. I did not mention that he steadied himself on my arm as he left the stage. It was just a few months before his dea...
The Undivided Voice
Frontispiece to the La Voix humaine website
Jean Cocteau’s 1930 one-act play La Voix humaine casts a gauntlet before my project, in these pages, of reviewing parts of wholes. It is explicitly only part of the drama it enacts—one side of a...
Her Last Tango
The great tango dancer María Nieves Rego has passed, on the occasion of which I reprint my 2016 review of Our Last Tango, an innovative account of her dance partnership with Carlos Copes that defies easy categorization as documentary or nar...
Her Genre is Song
On March 15, 2015, eleven years ago yesterday, I wrote this about Sílvia Pérez Cruz at (le) poisson rouge in New York. It remains the finest vocal performance I have heard in person, including from her, at least outside of opera. My immedia...
Withering Slights
Recently in Brooklyn, I attended a live taping of Caveman in a Spaceship, a comedy act by Dave Hill and his band. I think that’s a reasonable description, although I could have called it a concert with banter gone uproariously wrong. Also r...
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