
Close readings of speculative fiction, from sentence-level craft breakdowns to deep-dives into themes like language, meaning, and the unknown. Showing how these techniques work and how they can be applied in practice.
| Platform | Pricing | Freemium | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 107 | Founded | a year ago | Last Issue | 6 days ago |
| Active | |||||

Descriptions are a contentious topic, and yet most advice focuses on whether to describe rather than how the mechanics of descriptions actually work. Let's dive in, using two accomplished examples.
PART I | PART II | PART III
A cosmic horror that looks into the very same Earth upon which we live, to criticise humanity's intrinsic need to understand, and how we cannot accept there are things beyond our limited comprehension of reality.
The effect of this canno...
But the emptiness has the value and the appearance of plenty. One way of getting is not looking, one way of having is not asking and only believing that the silence I believe to be inside me is the answer to my—to my mystery.
Mystery. My...
What gives meaning to a text? The author or the reader? Or perhaps neither in isolation, because we do not exist in isolation. Let's chat about the death of the author, and intentionalism.
"Death of the author!" some readers proclaim—ironi...
The Man in the High Castle is a philosophical, social sci-fi take on WW2 alternate history, written during the Cold War and permeated with Philip K. Dick’s abiding preoccupation with what is real and what is fiction—or, in this case, how we...
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Close readings of speculative fiction, from sentence-level craft breakdowns to deep dives into themes like language, meaning, and the unknown. Showing how it works and how to use those techniques yourself. Publishing weekly on Wednesdays.
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