Books Undone by Livia J. Elliot
Livia J. ElliotClose readings of speculative fiction, from sentence-level craft breakdowns to deep-dives into themes like language, meaning, and the unknown. Showing how these techniques work and how they can be applied in practice.
| Platform |  | Pricing | Freemium | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 96 | Founded | a year ago | Last Issue | 10 days ago |
| Active | |||||
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booksundone.comLatest Issues
Your Narrator Is A Camera: Narrative Distance in Fiction ~ Narrators Series #7
Exploring narrative distance through a camera metaphor: from the “wide shot” of omniscient narration to fully “handing off” the camera to the character. It includes three detailed examples.
This has probably happened to you. During an even...
The Witness and the Liar: Morality in The Road and The Shape of the Sword
Within a year there were fires on the ridges and deranged chanting. […] He thought that in the history of the world it might even be that there was more punishment than crime but he took small comfort from it.
This stark quote gestures t...
Cultural Nuance Matters: Translation Considerations in Tender Is The Flesh
Translation is not a matter of words only: it is a matter of making intelligible a whole culture.
I couldn’t agree more with Anthony Burgess. A translator’s job is not only a matter of swapping words in a language for those in another. I...
Book Review: The Hour of the Star, by Clarice Lispector
A technical masterpiece, an emotionally devastating tale of poverty—outward and inward—layered with a quest for meaning and a fictional writer who, through his character, unwillingly seeks to understand a life too unlike his own.
The Hour...
Look Around You: Why McCarthy Switches to Second Person in The Road
“Write in a single tense and grammatical person,” most writing advice would say—and yet some authors do it, deliberately and purposefully. Let's study the case of The Road, by Cormac McCarthy.
“Write in a single tense and grammatical perso...
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Close readings of speculative fiction, from sentence-level craft breakdowns to deep dives into themes like language, meaning, and the unknown. Showing how it works and how to use those techniques yourself. Publishing weekly on Wednesdays.
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