
Craft, the work itself, and what AI is actually changing for working television and film writers. By Logan Slakter, founder and television writer, currently on NBC's Line of Fire.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 13 | Founded | 3 months ago | Last Issue | 3 days ago |
| Active | |||||

I was in college, working toward a finance job I would eventually take, when I started watching Lost.
I remember sitting there thinking: how are you allowed to do this on television? A character driven series with a deep mystery at the mid...
I didn't work for a year.
Not for lack of trying. I pitched original ideas in that stretch, and one of them sold as a pilot at Blumhouse… eventually. But I couldn't staff. Couldn't even get a meeting. As my friend likes to say: "I couldn't...
I love a good .xlsx file almost as much as I love a good .fdx, and for most of my career those two things lived in different rooms.
I traded equity derivatives for three years before I wrote a word of television. Then I spent fifteen+ year...
I got an email about my streaming episode I wasn't expecting and I didn't believe it was real.
I read it twice, decided it might be phishing, and forwarded it to my lawyer to ask whether this was actually a thing that happened to people. I...
I turned in my first network TV script and heard nothing back.
It was my first staffing job. I'd spent weeks on the episode, working from a tough room break, to writing a hard outline, to digging into a script and trying to match the pacin...
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The writers behind this newsletter.
Essays from inside a writers' room: craft, the work itself, and what AI is actually changing for working television and film writers. By Logan Slakter, founder and television writer (Gossip Girl, Quantico, God Friended Me, NBC's Line of Fire).
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