
The biggest news, reviews, interviews and insights from London's art world.
| Platform | Pricing | Freemium | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 230 | Founded | 2 years ago | Last Issue | 7 days ago |
| Active | |||||

A Phyllida Barlow installation at Wolterton.
I’m back from Venice, and after seven days of 20,000+ steps, I feel like I need a hip replacement. I’m soon off to Georgia for the Tbilisi art fair, but in between, I managed to catch some exhib...
We talk to the new director about exhibitions, history and a great cafe.
Moira Lascelles is the new director of Burgh House, where we’ve visited some great exhibitions over the years. We caught up with her to ask her about the house’s hist...
The Japanese pavilion at the Venice Biennale has lots of babies; change them, and you get a QR code with a poem about the baby.
I’m writing this while in Venice, for the Venice Biennale, where I’ve seen more art than I thought was possible...
How do we make buying art fun again?
My fortnightly diary entry highlights notable topics and stories from the London art scene and beyond that have caught my attention. Let me know if there are any topics you’d like me to focus on in futu...
Taking in Flatford Mill and the view that was the inspiration for John Constable’s ‘The Haywain’
I’ve spent a couple of days in Suffolk, Constable country, to celebrate John Constable’s 250th birthday in glorious sunshine. Next week I’ll b...
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The writers behind this newsletter.
For London-lovers, by London-lovers.
I'm the art critic for Londonist and writer for multiple other publications. I became an art critic later in life after discovering art through adverts on the London Underground and I want to make art accessible for everyone else too.
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