
Film, history, horror, and whatever else comes to mind
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 42 | Founded | 2 years ago | Last Issue | 12 days ago |
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Hexham Heads (2024), dir. Chloë Delanghe and Mattijs Driesen
It’s been argued many times that the ideal literary form for horror is not the novel but the short story. It’s certainly a genre whose greatest writers (e.g. H.P. Lovecraft, Daph...
Demons of the Mind (1972), dir. Peter Sykes. Courtesy of FILMGRAB
It’s the most wonderful time of the year, and I thought I would be remiss if I let October pass without a handful of horror recommendations for anyone looking to let their v...
Onslaught (2026), dir. Adam Wingard
Adam Wingard and Simon Barrett’s The Guest (2014) was a film in some ways just a little bit ahead of its cultural moment. It was released to no box-office success about eighteen months before the Strange...
The Second World War in Europe was a historical disjunction like few in modern history. At its end tens of millions lay dead: on the battlefield, in the wake of the great marauding armies and trailing paramilitaries, in the killing fields a...
Kane Parsons’ Backrooms (2026) is not a film entirely without its virtues. It boasts some formal assuredness and sustains a fairly strong and consistent atmosphere, one capable of accommodating humor as well as (at least notionally) dread....
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The writers behind this newsletter.
A Chicago-based writer interested in movies, horror, history, and the places they all meet.
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