The Early Comedy Registry
Lorenzo TremarelliAn archive dedicated to the grammar of film comedy: from the origins of silents to the masterpieces of the screwball era. In-depth research, archival analysis, and period insights for those who value discovery over speed.
| Platform |  | Pricing | Only free issues | Publishes | Daily |
|---|---|---|---|---|---|
| Issues | 27 | Founded | 8 months ago | Last Issue | 18 days ago |
| Active | |||||
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lorenzotremarelli.substack.comLatest Issues
At the Roots of Chaos: From Two-Time Mama (1927) to the Great Screwball Comedies
When thinking about the origins of film comedy, we often make a direct logical leap from silent shorts to the sophisticated, sharp-witted dialogue of 1930s Hollywood. But that transition didn’t happen in a vacuum. Creative incubators like t...
Back to the Craft
Welcome back, everyone.
It has been a few months since my last post, as my attention was temporarily required elsewhere for personal matters. Fortunately, that period is behind me, and I’m ready to resume publishing here.
Those who used t...
A CONCLUDING NOTE ON RESEARCH AND INTELLECTUAL INTEGRITY
With the last entry, the current research cycle reaches its definitive conclusion. This collection now stands as a complete and closed body of work—a rigorous, original exploration of silent comedy.
A Formal Notice for Researchers and Read...
The Anatomy of a Nightmare: Max Davidson and the Lost Comedy of THAT NIGHT
This analysis concludes my special focus on the lost films of Max Davidson, serving as a companion to my book released last January. These four chapters will remain available in the archive for future researchers.
THAT NIGHT (September 15,...
Rediscovering Max Davidson: An Analysis of the Lost Two-Reeler SHOULD WOMEN DRIVE?
What follows is the penultimate of four in-depth looks at Davidson’s lost works. With the next chapter, we will conclude this specific analysis to make room for the consultation of the archive.
The film under examination is SHOULD WOMEN DR...
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Authors
The writers behind this newsletter.
I'm a comedy scholar and film historian. My research focuses primarily on early cinema, particularly silent, screwball and gentle comedy.
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