
Thoughts on film, art, culture, aesthetics. field notes from the outside, unpublishable jumbles, unfortunate tales, uploads of my writing and interviews in print.
| Platform | Pricing | Only free issues | Publishes | Daily | |
|---|---|---|---|---|---|
| Issues | 10 | Founded | 6 months ago | Last Issue | 21 days ago |
| Active | |||||

Staples of the independent Canadian scene, filmmakers Kalil Haddad and Ryan Steel presented the UK premiere of their new shorts cycle You Sorta Know It’s Gonna End, on the 8th of August at ICA London, as part of the Final Film Festival ‘26....
Stranger Than Paradise opens with noise of planes, finding ground in a surprising New York - no longer heralded by Ellis Island, but instead by the concrete breaks of an isolated landing strip. Sound and music have always been incredibly vi...
One title I’ve been very keen to catch at BFI Flare 2026 is Brydie O’Connor’s Barbara Forever - a near two hour summary of pioneering lesbian filmmaker Barbara Hammer and her life and work. A hyper-researched descent into her textural arti...
Staged as a prelude to the festival ‘Open City Documentary’, The Barbican Cinema in London hosted a 16mm screening of Ken Jacob’s ‘Tom, Tom, the Piper’s Son’ - a maze of image-stretching curiosity, bleeding blown-out celluloid meta-reflexiv...
Pipilotti Rist’s LUNGENFLÜGEL (2009, 15mins), at the Tate Modern. Designed in hypnotic empathy with the organic/cosmic, spanning 4 simultaneous projections, Pipilotti’s film re-examines an often fraught feminine relationship to the natural...
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thoughts on film, art, culture, aesthetics. field notes from the outside, unpublishable jumbles, unfortunate tales, uploads of my writing and interviews in print.
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