Organised Overthinking
Mara Ellison, Óðr Sierra SierraObservations, patterns, and the occasional flawed conclusion.
| Platform |  | Pricing | Only free issues | Publishes | Twice weekly |
|---|---|---|---|---|---|
| Issues | 33 | Founded | 6 months ago | Last Issue | 12 days ago |
| Active | |||||
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maraellison.substack.comLatest Issues
Who is Love?
You cry out for love,
but you do not know love.
You are craving,
seeking,
grasping.
But what is it you want from love?
Is it to stand before the world and declare,
“See here! I am loved,
and therefore I am worthy of being loved...
I'll be your gallery
Show me all the ways you bleed,
let the drops fall upon my canvas,
and I will let your colours fall true.
I won’t try to blend them into mine,
or turn them into a painting
I need to understand.
Instead, I will watch your...
Glass Cage
This piece was written listening to song below.
It captures how the words feel in the body.
My mind reaches outward,
trying to touch its own edges,
as futile as dusk chasing the dawn.
. .
I sift through memory for meaning,
trying to...
You make me want to write poems in yellow
Some people inspire you. Some people alter the colour of your ink.
. .
You make me want to write poems in yellow.
. .
Not just any yellow,
the yellow of sunflower petals
and sunlight spilling across pale skin
that has learned to...
What Happened When I Told Men They Were Beautiful
Recently I posted a note about the beauty of men. I expected it to resonate with women. That was, more or less, the entire thought process. I saw a quote around about how men are beautiful too, and it reminded me of something I have often n...
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| Subscribers | Engagement | 80 | Monthly Web Visits | ||
|---|---|---|---|---|---|
| Accepts Sponsors | Estimated Cost per Ad | ||||
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Authors
The writers behind this newsletter.
Part poetry. Part observation. Part “I should probably have kept that thought to myself.” Making eye contact with the human condition and then writing about it.
Not fiction. Not future. Fragments of a system where power, memory and pleasure collapse into one field. Read them not as stories — but as thresholds.
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