
Observations, patterns, and the occasional flawed conclusion.
| Platform | Pricing | Only free issues | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 28 | Founded | 5 months ago | Last Issue | 9 days ago |
| Active | |||||

This is part III in the series. I have linked part one and II at the bottom.
They kept walking, but everything inside her was still suspended, still tingling from the moment that almost happened.
Their friend, the one who had inter...
I wrote this poem about the grief I met after losing someone very close to me in death, unexpectedly. It attempts to capture what is felt in the body, and how it learns to carry it.
It hurts in places
I never knew existed.
Like ho...
He moved first,
or maybe she did.
It blurred.
**
Their energies didn’t meet.
They circled.
They grazed.
Testing the edges,
restraint.
**
Before slowly
sliding up against
each other.
**
It happened
the way condensation does...
The night refused to give way to day,
keeping them suspended
in the dark
where secrets feel safest.
. .
He traced I love you
down her spine,
and her body answered
before her heart understood.
. .
The moon stood as their silent...
This is Part V of my Series:
Seventeen Thousand Kilometres Outside My Comfort Zone
If you aren’t up to date on the previous articles in the series, I have linked them at the end.
By the time I was ready to start appl...
Subscribers, engagement, traffic and sponsorship for Organised Overthinking .
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|---|---|---|---|---|---|
| Accepts Sponsors | Estimated Cost per Ad | ||||
The writers behind this newsletter.
Part poetry. Part observation. Part “I should probably have kept that thought to myself.” Making eye contact with the human condition and then writing about it.
Quiet architect of inner worlds, turning silence into language and questions into fire. I listen where others rush past and refuse shallow waters. In life’s labyrinth, I leave lanterns so others may find their way.
Not fiction. Not future. Fragments of a system where power, memory and pleasure collapse into one field. Read them not as stories — but as thresholds.
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