
Marc Myers writes on jazz legends and legendary jazz recordings
| Platform | Pricing | Freemium | Publishes | Daily | |
|---|---|---|---|---|---|
| Issues | 4189 | Founded | 2 years ago | Last Issue | 3 days ago |
| Active | |||||

Blue Note’s newly remastered, 180-gram double LP is urbane and hip
Bill Evans and Sonny Clark were close friends. Evans admired Clark’s swing, his touch and the elegance of his two hands working together. Both pianists came up in New York...
On the saxophonist’s centenary, I provide 12 of his albums I play most often
John Coltrane nearly poisoned me on jazz. Back in 1972, friends in high school recommended his album Kulu Sé Mama, but I couldn’t make much sense of the music. I...
On Nov. 16, 1984, singer-pianist Shirley Horn performed live with her bassist Charles Ables and drummer Steve Williams at Florida Memorial College in Miami. The concert was devoted to the wistful and pensive compositions of Curtis Lewis, wh...
In 1978, Irish drummer John Wadham recorded his sole studio album as a leader—Drums and Friends. Captured at Pat Hayes Studio for the Livia label in Dublin, the LP featured several of Ireland’s giants of jazz in two different intimate group...
Nobody likes missing out on stuff they love. Missing out leads to deprivation, misery, grouchiness and regrets. If you’re enjoying JazzWax and you’re a free subscriber, you’re receiving just two out of six posts per week. That means you’re...
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The writers behind this newsletter.
Marc Myers writes regularly for The Wall Street Journal and is author of "Rock Concert: An Oral History" (Grove), "Anatomy of a Song" (Grove) and "Why Jazz Happened." Founded in 2007, JazzWax has won three Jazz Journalists Association awards.
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