
Marc Myers writes on jazz legends and legendary jazz recordings
| Platform | Pricing | Freemium | Publishes | Daily | |
|---|---|---|---|---|---|
| Issues | 3845 | Subscribers | Read | jazzwax.com |
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For my October Album@50 essay in the WSJ, I chose to do a deep-dive into Paul Simon’s Still Crazy After All These Years. The LP was Mr. Simon’s fourth solo album. Within weeks of its release, the LP had sold a half-million copies. It reache...
Shortly after pianist Horace Silver released Song for My Father in January 1965, he headed out on tour with his quintet to promote the masterpiece LP. The album had turned Silver into something of a sensation. [Photo above of Horace Silver ...
One of my favorite jazz guitarists is Doug Raney, the son of guitar legend Jimmy Raney, who moved to Cophenhagen, Denmark, when he was just 21. Doug Raney spent much of his career there touring and recording. Long suffering from drug and al...
Pianist Red Garland recorded the album Can’t See for Lookin’ in 1958, with Paul Chambers on bass and Art Taylor on drums.
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The writers behind this newsletter.
Marc Myers writes regularly for The Wall Street Journal and is author of "Rock Concert: An Oral History" (Grove), "Anatomy of a Song" (Grove) and "Why Jazz Happened." Founded in 2007, JazzWax has won three Jazz Journalists Association awards.
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