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| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 16 | Subscribers | Read | marinatempelsman.substack.com |
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What makes a show feel joyful? How can thinking about actors help you write your sketches? What’s the difference between a slow set-up and a confusing set-up?
What makes a parody sketch great? How do you write a character that’s based on ~vibes~? Why can basic premises sometimes become great sketches, while sometimes great premises become basic sketches?
Is it more fun to watch a high-status or a low-status character? Why does specificity matter? And… how do you make sure you’re delivering a good script, and not just relying on an actor’s comedic excellence?
I’ve had the best time dissecting each week’s SNL sketches with for our Saturday Night Later series. There are so many teachable moments in each episode, and I always finish our discussions raring to get back to work on my book about sketc...
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The writers behind this newsletter.
Former Academic Director of UCB Training Center. Author of upcoming "Unusual Things: A Guide to Sketch Comedy for Writers, Fans, & Everyone Else." Also featured by The New Yorker, Comedy Central, and more.
comedy writer, director, and teacher
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