Marina Harss / Dancing Around
MARINA HARSSA place to post occasional writings on dance.
| Platform |  | Pricing | Only free issues | Publishes | Twice weekly |
|---|---|---|---|---|---|
| Issues | 186 | Founded | 2 years ago | Last Issue | 12 days ago |
| Active | |||||
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marinaharss.substack.comLatest Issues
A Welcome Guest
I recently wrote a short piece about the dancer Ryan Tomash, from the Royal Danish Ballet, who is guesting at NYCB. You can read it here.
Resonances
My latest for The Hudson Review, which includes passages on "Flower Festival in Genzano," Ratmansky's "Firebird," and Mark Morris's "Via Dolorosa," all of which felt particularly resonant in this fraught time we are living in: "What struck...
Poema a Fumetti
Back in 2009, I translated Dino Buzzati's "Poema a Fumetti," or "Poem Strip" for New York Review Books. This stylish little book is a retelling of the Orpheus myth as a book-length graphic poem, with erotic Pop Art drawings by Buzzati himse...
Mark Morris takes on The Passion
The dancers of Mark Morris Dance Group (and the man himself), after a performance of "V" and the new "Via Dolorosa" at BAM this weekend. The latter is a dance piece inspired by the Stations of the Cross, set to a composition for solo harp b...
Credit where it's due
Cultural memory is brutally selective and often hinges on factors unrelated to merit: race, the fickle nature of stardom, hierarchies of genre, and, crucially, whether proper credit was given in the first place. Buddy Bradley is a clear exa...
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Authors
The writers behind this newsletter.
I'm a writer in New York, specializing in dance. I write for a lot of different publications, including the New York Times, The New Yorker, and Dance Magazine, and I've also published a book, "The Boy from Kyiv—Alexei Ratmansky's Life in Ballet."
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