
A theater podcast hosted by critics Peter Marks and Elisabeth Vincentelli.
| Platform | Pricing | Freemium | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 85 | Subscribers | Read | marksvincentelli.substack.com |
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The musical “Revolution(s),” which recently concluded its premiere run at the Goodman Theater, in Chicago, comes with an impressive and à propos pedigree. The score was pulled from the songbook of Tom Morello, best known as the guitarist fo...
The hit de scandale of the fall in New York is Andrew Fox and Joel Sinensky’s “Slam Frank,” an Off Broadway show that purports to be a staging of a musical about Anne Frank — except that it’s a terminally enlightened production in which she...
If you saw “The Band’s Visit” in New York, you remember Ari’el Stachel, who played Haled, the musician obsessed with Chet Baker — a big highlight was his jazzy “Song About Love,” one of David Yazbek’s loveliest numbers.
There’s much talk these days about the dire financial health of musicals on Broadway, where costs have skyrocketed — and so have ticket prices. Yet, very few of the big shows manages to turn a profit. How can this go on? Tom Kirdahy submits...
The writers behind this newsletter.
A theatre podcast hosted by critics Peter Marks (Washington Post) and Elisabeth Vincentelli (New York Times)
Theater critic of the Washington Post
I'm a Brooklyn-based culture writer and frequent contributor to The New York Times. I co-host the theater podcast Marks & Vincentelli on this platform.
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