Masses and Edges
Shelah HorvitzThoughts, experiments and findings on realistic painting. Technical tips, practical art history, theory, philosophy, strategy. How to and why.
| Platform |  | Pricing | Freemium |
|---|---|---|---|
| Publishes | Weekly | Issues | 31 |
| Subscribers | Read | shelah.substack.com |
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Latest Issues
Recent posts by this newsletter. Browse the email archive.
Deeper
Well I finished “The Praise Singer,” the painting of David in ecstasy singing psalms while in a wilderness with an overcast sky. The concept was about how when things look dire, a valid kind of mourning is to find some way back to joy and l...
The Giornata
I learned about the giornata from the great Will St. John, and painting by the giornata made a huge difference in the quality of my work. The term giornata comes from Italian fresco painters. Frescoes are pretty much alla prima; you have to...
Refining an Idea
An idea develops slowly.
Down Times
Photo by Ryan Cheng on Unsplash
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Authors
The writers behind this newsletter.
Contemporary realist painter. See Instagram @shelah.horvitz or shelah-horvitz-art.com
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