
Thoughts, experiments and findings on realistic painting. Technical tips, practical art history, theory, philosophy, strategy. How to and why.
| Platform | Pricing | Freemium | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 47 | Founded | 3 years ago | Last Issue | a month ago |
| Active | |||||

A sharp break in your life, where one day there was before and the next day there is after, takes a while to process. Who you are, what you think, what you value, where you go, suddenly these balls are up in the air. What you painted yester...
In Haifa, jasmine is in bloom. The streets are lined with trees cut into hedges, some of them jasmine, so as you walk about the city, here and there a lyrical sweetness insinuates itself into the sea air. You walk past and it’s gone, a litt...
“Rescue” by Shelah Horvitz, oil on panel, 2021
Here in Israel, the war continues, I’ve slept in my clothes for a month. We have occasional full days and nights without alarms but you never know what’s coming. The last time the alarm went o...
“The Third of May 1808 in Madrid,” Francisco Goya
The title of this blog is Masses and Edges. I chose that title for its ambiguity. “Masses” can describe large visual shapes, but the term also has sociological implications. “Edges” are the...
I recently saw on social media that someone in a newbie painter’s group asked the question, “How do you get a painting to glow?”
Getting an painting to glow is pretty easy but there are a few general principles you need to get under your b...
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The writers behind this newsletter.
Contemporary realist painter. See shelah-horvitz-art.com
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