
Essays on politics and philosophy.
| Platform | Pricing | Only free issues | Publishes | Daily | |
|---|---|---|---|---|---|
| Issues | 166 | Founded | a year ago | Last Issue | 11 hours ago |
| Active | |||||

Candido Portinari’s Os Retirantes (The Migrants, 1944) turns the suffering of Brazil’s drought-stricken Northeast into one of the most severe images of social abandonment in Brazilian art. Painted in oil on canvas and now housed at the Muse...
Hale Woodruff’s 1939 mural The Mutiny on the Amistad transforms a single moment of shipboard violence into an image of historical reckoning. Painted for Talladega College, the work depicts the 1839 uprising of kidnapped Mende Africans aboar...
Joseph Wright of Derby’s The Alchemist Discovering Phosphorus transforms scientific discovery into an image of revelation. Painted in 1771 and reworked in 1795, the work depicts a robed alchemist kneeling before a flask that glows in the da...
George Grosz’s Pillars of Society, painted in 1926 and now in the Neue Nationalgalerie in Berlin, is one of the sharpest visual attacks on the ruling forces of the Weimar Republic. The title is bitterly ironic. Grosz presents the supposed s...
Ilya Repin’s They Did Not Expect Him captures a single electrifying moment: the unexpected return of a political exile to his family’s comfortable bourgeois interior. Completed between 1884 and 1888, this large oil on canvas (160.5 × 167.5...
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