
Essays on politics and philosophy.
| Platform | Pricing | Only free issues | Publishes | Daily | |
|---|---|---|---|---|---|
| Issues | 177 | Founded | a year ago | Last Issue | 11 days ago |
| Active | |||||

Alice Neel’s Pat Whalen (1935) narrows political painting to its essentials: a man, a table, a newspaper, and two clenched hands. Executed in oil, ink, and collaged newspaper on canvas, the work shows Whalen seated before a copy of the Dail...
Ben Shahn’s The Passion of Sacco and Vanzetti (1931–32) presents the aftermath, not the event. Nicola Sacco and Bartolomeo Vanzetti lie dead in open coffins in the foreground, their bodies horizontal and exposed. Behind them stand the offic...
Hubert von Herkomer’s Hard Times (1885) presents rural poverty through a quiet moment of stillness. A labourer has stopped with his wife and children on a rutted road in the Hertfordshire countryside. The sky is grey, the ground is bare, an...
Candido Portinari’s Os Retirantes (The Migrants, 1944) turns the suffering of Brazil’s drought-stricken Northeast into one of the most severe images of social abandonment in Brazilian art. Painted in oil on canvas and now housed at the Muse...
Hale Woodruff’s 1939 mural The Mutiny on the Amistad transforms a single moment of shipboard violence into an image of historical reckoning. Painted for Talladega College, the work depicts the 1839 uprising of kidnapped Mende Africans aboar...
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