Michael Kocsis
Essays on politics and philosophy.
| Platform |  | Pricing | Only free issues | Publishes | Daily |
|---|---|---|---|---|---|
| Issues | 201 | Founded | a year ago | Last Issue | 11 days ago |
| Active | |||||
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Les XX and the Making of the Belgian Avant-Garde, 1883–1893
Les XX was founded to escape institutional authority. Within a decade it had become an authority in its own right, and no one encountered that irony more directly than the artist who helped found it.
I. Founding and the New Exhibition Sys...
The Afterlives of Ensor’s Paintings
There is a pattern in how Ensor’s paintings have been treated after they left his hands. It is not simply that difficult work eventually finds acceptance. What is stranger is how each painting’s later history repeats its subject. A canvas a...
Ensor’s Finding of Moses
In 1924, James Ensor painted Finding of Moses, also known as Moses and the Birds, a large oil on canvas that occupies a distinctive place in his late career. The biblical scene from the Book of Exodus—Pharaoh’s daughter discovering the infa...
Ensor in the History of Modern Art
Ensor’s artistic forebears and contemporaries clarify the sources he transformed and the extent of his independence from them. Beyond his immediate peers, three earlier masters—Francisco Goya, Pieter Bruegel the Elder, and Gustave Courbet—p...
Ensor and The Seven Deadly Sins
James Ensor’s The Seven Deadly Sins stands as one of the most definitive statements of the artist’s moral imagination. Published in 1904 as the portfolio Les péchés capitaux, the series comprises eight small etchings: a frontispiece titled...
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