
Each week: a breakdown of one powerful scene and the psychological and dramatic devices that make it work — so you can use them in your own writing. (Plus cat photos, because otherwise this would be unbearably nerdy.)
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 15 | Subscribers | Read | gameswritersplay.substack.com |
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Netflix is buying Warner Bros. Ted Sarandos says they’ll shorten theatrical windows “to be more friendly to the consumer.” I wonder if Ted ever watches the 90% of content his company makes… Note the word “content.”
Dialogue’s tough. I suck at dialogue. What is good dialogue anyway?
Remember when TV shows used to have filler episodes? Not as in “boring-ass-empty-why-did-someone-make-this-show episode” that we see on every streaming platform nowadays, but those quirky “characters-get-together-and-reminisce” kind (and we...
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The writers behind this newsletter.
Each week: a breakdown of one powerful scene, and the psychological and dramatic devices that make it work — so you can use them in your own writing. (Plus cat photos, because otherwise this would be unbearably nerdy.)
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