
You’re in the right place if you want Morocco treated as a laboratory of the real—where concepts are drawn from lived scenes (ritual, sound, objects) and forged into portable thinking tools you can carry into research, art, and everyday ethical life.
| Platform | Pricing | Freemium | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 50 | Founded | 8 months ago | Last Issue | 6 days ago |
| Active | |||||

Death, Forgetting, and the Constitution of Life
Try, right now, to actually think about the fact that you are going to die. Not the abstract fact, the kind that sits quietly on a life insurance form, but the actual thing: that the person r...
A Gnawa troupe on the Essaouira festival stage and the same troupe in a closed room at three in the morning play the same tunes and do two completely different things: on the stage the music is heard; in the closed room it summons. Almost e...
A Gnawa troupe on the Essaouira festival stage and the same troupe in a closed room at three in the morning play the same tunes and do two completely different things: on the stage the music is heard; in the closed room it summons. Almost e...
A landscape is the last thing one thinks to doubt. It is the given beneath the given, the surface upon which history is presumed to have taken place rather than a thing that history itself made, and it is precisely this presumption of the g...
Toward a Sababjectivity, or the Self as Taut Cord
Two people cross paths in an alley of Marrakech, and one thanks the other for a service rendered: "without you, none of this would have been possible." The reply comes without hesitation: "...
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The writers behind this newsletter.
An anthropologist & curator who writes from Moroccan fieldwork, using situated concepts as thinking tools for time, human condition and society.
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