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Moroccan Epistemologies

Mo Hamdouni

You’re in the right place if you want Morocco treated as a laboratory of the real—where concepts are drawn from lived scenes (ritual, sound, objects) and forged into portable thinking tools you can carry into research, art, and everyday ethical life.

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Substack
PricingFreemiumPublishesTwice weekly
Issues37Founded6 months agoLast Issue14 days ago
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Latest Issues

Excessive in Being : On What Remains When Nihilism Collapses

I. The Architecture of a Claim

When someone declares, on that particular kind of modern day weighted with the feeling of futility, that life is meaningless, they believe they have said something about the world. They have not. They have...

14 days ago
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Plus a comprehensive reading list

Dear Community, Salam,

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The Borrowed Form :The Cat Might Not Be a Cat

Morphological Indeterminacy and the Space of Unknowness

A child is playing in a ruelle of the old medina. A ball escapes the game and strikes a cat resting against the stone. The child freezes. He does not run toward the cat in apology, do...

21 days ago
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The Sign That Cannot Read Itself

José Ortiz Echagüe, ‘Siroco en el Sahara, 1965’

I.

There is a form of epistemic violence that precedes every other, and it is the more total for its invisibility: the violence of being constituted not as a subject within history but as a...

24 days ago
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The Body That Crosses, The Flesh That Comes Home

There is a condition of intimate life so structurally common in the present moment that its persistence resembles less a failure of individuals than a feature of the epoch.

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  • Mo Hamdouni

    An anthropologist & curator who writes from Moroccan fieldwork, using situated concepts as thinking tools for time, human condition and society.

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