Short-form writing about animation (mostly short films).
Platform | Substack | Pricing | Only free issues | Publishes | Weekly |
---|---|---|---|---|---|
Issues | 6 | Subscribers | Read | movemadly.substack.com |
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I told you I’d be banging on about short films. I’ve written already about how the Oscars see them, what they mean to the big feature animation studios, and just how central they are to animation history. This is a medium, after all, where ...
In the family VHS collection I grew up with, nestled among the Disneys and Rosie and Jims, was a tape that terrified me, gave me a surprise psychedelic experience and cemented my childhood love for Rupert the Bear, all in one.
The great feature animation studios often stand on a bedrock of short films. Many would never have made features at all had they not started with briefer works. Shorts are Petri dishes in which ideas, styles, technologies and directors fizz...
One of the British Film Institute’s many gifts to cinephiles is its Film Classics,1 a series of 100-odd-page books each of which weighs up the place of a great film in history. They are idiosyncratic texts, taking different approaches depen...
The writers behind this newsletter.
Animation journalism and production.
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