
I write about film, literature and digital culture in an attempt to inconsequentially link them to real life.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 19 | Founded | 9 months ago | Last Issue | 3 months ago |
| Active | |||||

In 1920, American Magazine reported that Thomas Edison was quietly developing a machine designed to communicate with the dead. The idea emerged from a conviction that had already reshaped physics, which was that if energy cannot be destroye...
The 2020’s have quickly become the decade in which literary adaptation has returned to cultural prominence with a strange kind of solemnity. Not excitement, exactly. Not curiosity, either. Rather a ritual, one in which canonical novels that...
I first saw 28 Days Later at entirely the wrong point in my life. I was still young enough to believe that fear could be curated, that horror was something you could consent to briefly and then discard. I had not learned yet that some image...
Whether you like it or not, Stranger Things is one of the most heavily marketed and culturally saturated television events of the decade. So popular, at that, that it was always clear the ending would be polarising. However, what was less p...
When critics speak about Poor Things, they often first reach for adjectives such as bawdy, grotesque or candy-coloured, before, almost reflexively, for Mary Shelley. The association is obvious enough. Before us lies a cadaver, a doctor with...
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The writers behind this newsletter.
I write about film, literature and digital culture in an attempt to link them to the horrors of everyday life. ✍\ud83c\udffb: Screen Rant, Stylist, Metro UK and MovieWeb
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