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Nick Coleman

Former journalist, now psychotherapist/writer, three books published in the UK, two in the US — thinks a lot about music

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Substack
PricingOnly free issuesPublishesWeekly
Issues71Founded2 years agoLast Issue8 days ago
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Latest Issues

Distortimento: the long, slow, agonising death of the electric guitar #3(i)

It was a sunny but cool September lunchtime in 1977, bright and dry in the lee of the Gogs, but nippy: an indication that autumn’s mantle was soon to settle itself on our small world. Its approach was as stealthy as ever, but would not be s...

8 days ago
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The slow, agonising death of the electric guitar #3: the trailer…

THE GUITAR SOLO will never die, just as its instrument of making, the electric guitar, won’t either. We know the reasons why it will not succumb. It does not require particularly mature insight to understand that the simple glamour of the g...

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On the beach

WHEN THE FIRST swimmers arrived at the beach that morning, some time before seven, they saw that they were not the first. Down at the water’s edge, just at the line where lazy shingle allowed itself to get wet, a silhouette in a pork pie ha...

18 days ago
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So, little man, what did you do in the war? A guide to Sunday lunch with the Great Generation

‘Blackout’ by Joan Vernon Connew

CONSIDER, IF YOU WOULD, JMW Turner’s Rain, Steam and Speed, just for a moment.

You know the picture. It is a major possession of the National Gallery and may be counted among the great works of the English...

a month ago
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To listen, to see, to show off! How Ian McKellen made me the people that I am today

The Wilton Diptych (detail), starring Richard II

I SAW IAN McKELLEN’S famous Richard the Second in 1969, when I was nine, and though I had no idea why, I thought it was pretty great. I’d gone with my dad on my mum’s ticket because she was...

3 months ago
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  • Nick Coleman

    Psychotherapist / writer with three books published in the UK and US — another one coming down the tunnel. Art, sport, books too. But mostly music. Has to think about it a lot because he can't hear it anymore

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