
Thoughts on pop music old and new from David Cantwell and Charles Hughes
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 267 | Founded | 3 years ago | Last Issue | 7 days ago |
| Active | |||||

Justin Vernon – “Hayward, WI” (live, 2026)
At his most recent Eaux Claires festival, Vernon appeared for a surprise acoustic set to replace Kevin Morby, who couldn’t be there because he’d just had a baby. Part of that set was “Hayward, WI,...
Alela Diane – “In My Own Time” (from Who’s Keeping Time?, 2026)
“In My Own Time,” from the Portland-based singer-songwriter Alela Diane’s seventh solo album, and her first since 2022, sounds at first like a seduction: “Are you around to ca...
Devon Gilfillian – “IRL” (from Time Will Tell, 2026)
Nashville singer-songwriter Devon Gilfillian’s new album Time Will Tell sure is sounding like one of the very best of the year, a rich and soulful collection that dips into enough genres...
Mildred – “UPS Brown” (from Fenceline, 2026)
Mildred is a four-piece out of Oakland that keeps the volume low, infrequent guitar squawls notwithstanding, and its tempos mid. There’s a bit of alt.country in what they’re up to on Fenceline,...
I knew Mermaid Avenue was going to be one of my favorite records the first time I heard it, shortly after its release in June of 1998. From the ramshackle intro to opener “Walt Whitman’s Niece,” the Billy Bragg and Wilco collaboration built...
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The writers behind this newsletter.
A semi-regular discussion of pop music old and new from writers David Cantwell and Charles Hughes, with guests stars. Don't fence us in.
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