
Thoughts on pop music old and new from David Cantwell and Charles Hughes
| Platform | Pricing | Only free issues | Publishes | Weekly | |
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| Issues | 264 | Founded | 3 years ago | Last Issue | 6 days ago |
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Mildred – “UPS Brown” (from Fenceline, 2026)
Mildred is a four-piece out of Oakland that keeps the volume low, infrequent guitar squawls notwithstanding, and its tempos mid. There’s a bit of alt.country in what they’re up to on Fenceline,...
I knew Mermaid Avenue was going to be one of my favorite records the first time I heard it, shortly after its release in June of 1998. From the ramshackle intro to opener “Walt Whitman’s Niece,” the Billy Bragg and Wilco collaboration built...
We’ve reached the halfway point of 2026, so we thought we’d take a quick minute to share our favorite albums of the year so far. We’ve each pulled out a favorite among favorites to highlight but otherwise our respective Favorites lists are...
Olivia Rodrigo – “Expectations” (from you seem pretty sad for a girl so in love, 2026)
Olivia Rodrigo’s new album is a New Wave blast, where the guest appearance by Robert Smith on one song and a different song called “the cure” are only t...
Son Volt – “Skeleton at the Feast” (single, 2026)
Jay Farrar has been a political songwriter with a strong class consciousness since all the way back to “Graveyard Shift,” the opening track to his former band Uncle Tupelo’s No Depression,...
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The writers behind this newsletter.
A semi-regular discussion of pop music old and new from writers David Cantwell and Charles Hughes, with guests stars. Don't fence us in.
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