Nocturna Film Reviews
Nocturna Film, The Human Experience, Fortune Amor, Seyi Lasisi, remi akinwande, tolu joseph, Dray, Elijah Oluwanisola, Manjushage, TALKATIVE, Mind-WalkerLet's discuss film
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 13 | Subscribers | Read | nocturnafilm.substack.com |
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Latest Issues
Recent posts by this newsletter. Browse the email archive.
I Don’t Think Tom Cruise was Acting
Finally made it to Nocturna Film House here in Calabar last month. A huge shoutout to Kuffy Eyo for the curation. The atmosphere was exactly what you want for a film like this.
In the Beginning, There Was Image
In a beginning there was man, then woman, and an apple. In the beginning, there was picture, then attraction, then music. In Gozirimuu Obinna’s MORNING, MORNING homage is paid to beginnings. The silent erotica lingers on a heartbroken young...
The Language of Non-Linearity
In Arrival there’s a majestic language of non-linearity aching to be understood. As the plot unravels, viewers are introduced to a synchronous drama between time and language, juxtaposing the characters’ forward movement through time with e...
Father, have you been crying?
Poster by Matt Griffin. The Nostalgist is available to watch on YouTube
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Authors
The writers behind this newsletter.
Sharing films
Hi there, welcome to my little corner where I write about my interpretation of what it is to be human.
Writer and Literary Critic.
Seyi Lasisi is a Nigerian-based film critic and culture writer with an obsessive interest in documenting and critiquing Nigerian and African cinema.
muckracker.
a clematis flower. i try to write and make films. 23
Dray | Builder first, writer second. A tech strategist applying system architecture to cultural critique.
Elijah is human, then film critic and writer. Drawn to arthouse cinema, alternative music, and all forms of art that value artistic integrity, he sees cinema as art, expression and a social mirror.
A fever dream.
An archive of creative lives
Open your eyes
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