Notes from the End of Cinema
David HeringA film diary and essays on cinema from David Hering
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 24 | Founded | a year ago | Last Issue | 7 days ago |
| Active | |||||
Read this Newsletter
davidhering.substack.comLatest Issues
The Trickster: On Christopher Nolan’s Deceptions
“A time of apparent magic” - epigraph to Christopher Nolan’s The Odyssey
The critic Tom Gunning once wrote about the earliest days of cinema, a time when films were viewed in carnival sideshows, local fairs and scientific demonstrations. H...
Visible God: On Robert Bresson’s L’Argent
I saw two films at the cinema this week: Christopher Nolan’s The Odyssey, which I enjoyed, and Robert Bresson’s L’Argent. I was originally going to write something about The Odyssey, but seeing L’Argent on the big screen for the first time...
Through a Camera Darkly: Blue Heron and the films of Sophy Romvari
In his book Camera Lucida, written after the death of his mother, Roland Barthes talks about what it means to look at a photograph of someone who has died:
[T]he person or thing photographed is the target, the referent, a kind of little si...
In Brief: 17 Semi-Connected Thoughts about Steven Spielberg's Disclosure Day
1. Much of Steven Spielberg’s 21st century output is about trusting American institutions and the information they produce (the state, the press, the president).
2. Disclosure Day is about this far more than it’s about aliens, who are on...
We're All Living in the Backrooms
This piece contains spoilers for Backrooms.
In September 2017, a video was uploaded to YouTube titled ‘Toto - Africa (playing in an empty shopping centre)’. It’s a single-shot image of the interior of an empty American mall, with a deserte...
Audience Metrics
Subscribers, engagement, traffic and sponsorship for Notes from the End of Cinema.
| Subscribers | Engagement | 70 | Monthly Web Visits | ||
|---|---|---|---|---|---|
| Accepts Sponsors | Estimated Cost per Ad | ||||
Explore More
Authors
The writers behind this newsletter.
Writer, Critic. THE END OF THE REEL (2027, Ortac Press)
Frequently Asked Questions
How can I access the email archive for Notes from the End of Cinema?
You can find recent issues that have been published by Notes from the End of Cinema on Reletter by scrolling up to where it says Latest Issues. Tap on the link for any of the most recent emails or hit More Issues to see older ones.
How many subscribers does Notes from the End of Cinema have?
To see how many people subscribe to Notes from the End of Cinema, simply upgrade your Reletter account. We provide readership numbers and lots of other stats for this newsletter so you can decide if it's worth reaching out to.
How can I advertise in Notes from the End of Cinema?
Newsletter advertising can be extremely effective when it's done right. Before you pitch Notes from the End of Cinema as a potential sponsor or partner, make sure that you've done your research and checked its newsletter stats with Reletter.
Then, personalize one of our winning pitching templates and send it to the right person using the contact info provided.
How much does it cost to sponsor a publication like Notes from the End of Cinema?
Newsletter ad rates (or CPM) vary depending on many factors, including industry, number of subscribers, open rate, ad placement and more.
To find out how much an ad will cost, contact Notes from the End of Cinema using the contact information provided and ask for a copy of their media kit.
How can I find newsletters related to Notes from the End of Cinema?
Scroll up to where it says Related Newsletters to see other publications like Notes from the End of Cinema. You can also search our email newsletter directory to discover other newsletters that cover the topics you're interested in.
How do I contact Notes from the End of Cinema?
Reletter provides this newsletter's website URL above, where you will often find their contact information. We also provide links to associated social media accounts and pitching templates so you can reach out fast.