
The potentials of photography and other visual media, including AI, after fifty years of writing, thinking, editing and experimenting in the field.
| Platform | Pricing | Freemium | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 53 | Founded | a year ago | Last Issue | 14 days ago |
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There once was a categorization system that was used to describe the Web. Web 1.0 referenced the top-down, hierarchical Web, e.g. CNN, Le Monde or other news outlets telling us what was going on in the world. Web 2.0 referred to a more late...
This piece that I wrote (slightly revised here) first appeared in Aperture’s Summer 2012 issue, assigned by its editor Melissa Harris. But given the enormous difficulties of the present moment I thought it might be worthwhile to go back a f...
I was recently in a lengthy and intense online video conversation with German theoretician and artist Hito Steyerl centering on the politics and problematics of AI-generated imagery.
“Exiting the Photographic Universe,” the title of our d...
In an alarming report in today’s New York Times, a variety of AI image detectors are tested and concluded to be incapable of consistently differentiating between AI-generated imagery and actual photos and videos. Even more worrying is today...
Photography never presented an absolute truth. But it served as an essential reference, a quotation from appearances, keeping viewers informed about a larger world both present and past. And it similarly helped to build a more expanded sens...
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The writers behind this newsletter.
Writer, editor, curator, software developer, and teacher. My focus is on the future of imaging and the advancement of social justice and human rights.
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