Notes of a MetaPhotographer
Fred RitchinThe potentials of photography and other visual media, including AI, after fifty years of writing, thinking, editing and experimenting in the field.
| Platform |  | Pricing | Freemium | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 60 | Founded | a year ago | Last Issue | 3 days ago |
| Active | |||||
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“Cuba, See”
Constantino Arias, Miss Universe (Havana, 1955)
Havana surprised me. I was unprepared for a quiet and often friendly city where I could travel without a guide and visit people in their homes, a city where blacks and whites mix with apparen...
The emphatic image
When getting the news on a cellphone a viewer generally sees a list of articles, each often illustrated with a small image meant to be emblematic — an image the size of a postage stamp of an explosion indicating a war, trees on fire indicat...
Visualizing Thought
In 1984, as I began to research the implications of the emerging digital revolution, I visited Ron MacNeil at the Visible Language Workshop, part of the MIT Media Lab. There he said something to me which profoundly changed the way I viewed...
Between the image and the world
I have been teaching since 1979 in a variety of countries. The act of entering the classroom, even virtual ones, has always triggered for me a certain freedom of thought, of open-ended reflection. Possibilities are discussed and allowed to...
From 50 Years Ago: "How Photojournalists Survive After Life (and Look)"
I wrote this article for The Village Voice in New York City just over fifty years ago when, after the demise of major picture magazines (the weekly Life had stopped publication at the end of 1972), there was a widespread sense both that pho...
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| Subscribers | Engagement | 72 | Monthly Web Visits | ||
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Authors
The writers behind this newsletter.
Writer, editor, curator, software developer, and teacher. My focus is on the future of imaging and the advancement of social justice and human rights.
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