NR MINT
Dylan HicksMusic criticism, mostly on jazz.
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 30 | Founded | 2 years ago | Last Issue | 7 months ago |
| Active | |||||
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By Ear
A loose-limbed descendant of John Berger’s Ways of Seeing, documentarian Sam Green’s 32 Sounds, currently streaming on the Criterion Channel, is a discursive essay on the metaphysics of sound and audition for which the viewer-listener is ge...
Looming
“Trials of the Argo,” the multitracked title piece from Ned Rothenberg’s 1981 debut, is a wine-dark, side-long voyage and depth gauge for flutes, bass clarinet, ocarina, and shakuhachi, the demanding Japanese bamboo flute then relatively ne...
On Amina Claudine Myers
The pianist, composer, singer, and organist Amina Claudine Myers turned 83 in March of this year and is one of the standard-bearers affiliated with the Association for the Advancement of Creative Musicians. She was among the AACM’s earliest...
How Does It Feel?
The great alto and soprano saxophonist Jaleel Shaw is a focused, expressive, and earnest player and composer, and though I’ve felt little resistance to his music, I haven’t always been able to rise (or fall) to its emotional terms. He was q...
Universal Love, Trademarked and Otherwise
To borrow from Marianne Moore, the seven pieces on Natacha Diels’s Somewhere Beautiful are imaginary tundras rouged by real drops of swan blood. A lapsed flautist and a frequent collaborator with composing and performing collectives, Diels’...
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Authors
The writers behind this newsletter.
I’m a songwriter, musician, and sometime novelist and critic.
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