
Writings about performance, identity, desire, and surviving artistic capitalism with grace and glitter.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 11 | Founded | a year ago | Last Issue | 21 days ago |
| Active | |||||

There is a quiet, often overlooked craft at the heart of the performing arts: the art of being an audience.
We spend so much time training artists, refining technique, deepening intention, building endurance, that we rarely pause to consid...
There is a difficult truth one encounters often enough in contemporary Indian performance that it begins to feel structural rather than incidental: some of the most persuasive exoticisation of Indian culture today is not being imposed from...
Creator & Copyright: https://sustainability-directory.com/
Increasingly, classical dance is turning toward other disciplines as a way of reimagining its contemporary presence. Music, visual art, technology, literature, theory, and curatori...
Photo from Blood Wedding (1981) | The Criterion Collection
Carlos Saura is a dancer’s director. He champions movement in his films in a way that only someone in love with the form can. In this essay, we talk of that elusive quality that he...
In the current vocabulary of dance, theatre, performance art, and even contemporary spirituality, embody has become one of those words that appears everywhere. Dancers are told to “embody the music,” actors are urged to “embody the role,” f...
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The writers behind this newsletter.
Multidisciplinary Artist, Producer, and Curator. Making art, causing trouble, and surviving on vibes and grant rejections.
Writes about dance, dances about writing and occasionally remembers to rest. The Deep Cut is now open for submission! Check out https://thedeepcut.substack.com/about for more details
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