Reletter
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BoxOffice Alchemy

Pau Brunet Fuertes

Newsletter dediciado a la indistria cinematográfica: taquilla, festivales, streaming, y tendencias de mercado en España y Estados Unidos.

Platform
Substack
PricingOnly free issuesPublishesTwice weekly
Issues167Foundeda year agoLast Issue5 days ago
Active
Language
Spanish

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Latest Issues

Paramount-Warner recibe el aval del Reino Unido mientras EE.UU. elimina límites de propiedad de emisoras locales

Tras semanas de batalla campal en Hollywood que dejaron el acuerdo entre Paramount y Warner en punto muerto hasta junio de 2027, David Ellison ha vivido una semana de cierta recuperación marcada por varios apoyos empresariales del sector, e...

5 days ago

Taquilla fin de semana: el fenómeno ‘Spider-Man’ se convierte en el mayor estreno de la década

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El ritmo de éxitos ha continuado incluso después de los relativos traspiés de la temporada, porque siempre hay algún título que no responde a las expectativas, y pese a la presencia del Mundial. Pero, en ningún caso, esto ha i...

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¿Podría dar Netflix alguna sorpresa más en su afán por comprar un estudio?

En estos momentos, el acuerdo entre Paramount-Skydance y Warner se encuentra en punto muerto durante, al menos, un año, todo ello mientras el estudio de Ellison arrastra una deuda que ya ronda los 17.000 millones de dólares. Si dentro de un...

12 days ago
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Could Netflix Have Another Surprise Up Its Sleeve in Its Pursuit of a Studio?

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At the moment, the Paramount-Skydance and Warner deal appears to be at a deadlock for at least another year. Meanwhile, Ellison’s studio is already carrying debt approaching $17 billion. If the Warner acquisition is ultimatel...

12 days ago

Taquillas del fin de semana: 'La Odisea' sigue su camino hacia el 'billón de dólares'*

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Tristes imágenes las que llegan de España, con esos malditos incendios destrozando todo lo que encuentran a su paso y desplazando a miles de personas que están siendo evacuadas. Ojalá se logren controlar y extinguir lo antes p...

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  • Pau Brunet Fuertes

    Analista cinematográfico, especializado en industria, taquilla, audiencia, y "spectatorship". He trabajado como productor y ahora metido en la School of Cinematic Arts de University of Southern California con mi doctorado en estudios cinematográficos

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