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Playback with Lewis Porter!

Lewis Porter
Hundreds of paid subscribers

New insights into jazz and its history

Platform
Substack
PricingFreemiumPublishesWeekly
Issues314Founded4 years agoLast Issue10 days ago
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Latest Issues

Ornette Coleman: Rare Print Interview with John Litweiler, 1 of 2

[Sonny Rollins (1930-2026) passed away a few days before I posted today’s essay. As you can see in my index, which is updated every week, I’ve already published 15 essays here on Substack about Rollins, featuring audio interviews and some a...

10 days ago
30
4

Bill Evans: Unknown Audio Interview with David Cayer

David Cayer (1928-2017) was a delightful gentleman who I got to know during my years teaching at the Rutgers University campus in Newark, New Jersey. He was based at the main Rutgers campus in New Brunswick, first on the faculty of the Poli...

18 days ago
32
6

Monk: Handwritten Manuscripts Of "Little Rootie Tootie" and "Well You Needn't"

Robin Kelley’s massive biography of Thelonious Monk is incredibly thorough. Kelley is a distinguished historian, and he covered just about every angle in his research. For example, he describes the original manuscripts of many Monk composit...

24 days ago
31
4

Don Cherry, Grimes & Blackwell: Recordings Never Released

Don Cherry (1936-1995) was of course best known for his work with Ornette Coleman, documented on a now-classic series of recordings from 1958 through 1961, and on a number of later recordings, including from an international reunion tour in...

a month ago
57
28

Jimmie Lunceford: Virtuoso Arrangements, 1 of 2 (+Bonus)

(For Paying Subscribers, there are yet more bonuses at the bottom—two band parts showing the lyrics and melody of “Stratosphere,” and an alternate take of “Mood Indigo.”)

(For Paying Subscribers, there are yet more bonuses at the bottom—tw...

a month ago
16
9
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  • Lewis Porter

    I'm a pianist, composer, author, researcher, and educator. Here I’ll publish my new findings about all aspects and eras of jazz, as well as some past research that didn't get exposure. Very infrequently, I’ll look at a non-music news item.

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