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Bernard Cadogan’s poetry & polis

Bernard Cadogan

How to write and read poetry, do politics, geopolitics and think political philosophy – from the author of the New Zealand epic poem ‘Crete 1941’

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Latest Issues

Velychkovsky

The Baroque was a battlefield
against the Jesuits, a Poltava
against Peter I, that yielded
a better result. Strange cultivar

acclimatised to Orthodox lands
from Silesia of Jakob Boehme.
Kuhlmann burned in a Moscovite brand,
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Olivares’ absence from the picture
was because he fell from office and died.
But he is there in the brush’s scripture
in figures’ quantum fields of daubs and dyes,

organised in rationales of space,
yet beginning and ending with q...

4 days ago

Blood on the Grass

Don’t go there - there’s blood on the grass !
Maybe it’s just another lamb slaughtered
for New Zealand poetry. Let it pass.
I was hung and worse, drawn by quarters.

That blood is not that of a wee lamb.
Aristaeus had an abattoi...

5 days ago
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Dante at Eynsham

Indeed Dante had been at Eynsham,
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In that a monk told of Hell’s pensioners
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6 days ago
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I am as deluded as Dante
had been. There is no Vita Nuova.
For good and bad alike, there is no chantry
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You are spared my weak anger. John Skelton,
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  • Bernard Cadogan

    I am a poet, historian, political philosopher, and cross-party political advisor of long standing, the author of New Zealand's national epic, Crete 1941.

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