Poison Put to Sound
Max Keller“Keller is creating a living archive of what’s happening at the intersection of queerness and classical music in NYC right now, in a way that the traditional press is missing entirely.”
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 100 | Founded | 4 years ago | Last Issue | 5 months ago |
| Active | |||||
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poisonputtosound.substack.comLatest Issues
F-Holes and F-Slurs
The same week as my review of The Faggots and Their Friends Between Revolutions came out in Early Music America, this essay that I wrote two years ago finally found its home at Electric Literature. Who says I don’t have range? Here is a sni...
My Night in the Dream House
At the door, we are told the rules: No shoes. No photos. No clapping. My friend Ben and I are ushered over to two pillows on the floor covered with paper “reserved” signs. We sit cross-legged, knee-to-knee with our neighbors, feeling the sh...
Making Noise
With the future of classical music criticism on increasingly uncertain ground, I have decided to diversify my portfolio. And so, I am trying my hand at sports writing. (Never mind that I can count on one hand the number of athletic events t...
Baroque Burlesque
Earlier this month, I attended Company XIV’s “Baroque burlesque” show in Bushwick. I was initially skeptical, as the crowd looked to be on the older and straighter side, plus I have an aversion to anything branded as sexy. (I’ll decide for...
Pride at Poison #2
My article on cello endpins for the New York Times came out online on Tuesday and will be in print on Sunday. (Here is a free link.)
The comments section is delightful, full of personal anecdotes and intelligent clarifications. There’s als...
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Writer, editor, endpin enthusiast.
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